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宋明话本小说中的男性气质书写与两性关系模式构建

发布时间:2018-05-24 09:27

  本文选题:话本小说 + 男性气质 ; 参考:《青海社会科学》2017年03期


【摘要】:文、武是中国古代男性气质的核心,是男性气质的重要体现。宋明话本小说中的男性气质书写呈现出了明显的偏重性、阶段性,实为一个持续构建的动态过程,与不同阶段的文化形态有着千丝万缕的因果关联;而女性气质书写乃至女性形象塑造则更进一步地受制于男性意愿,在相当程度上实为基于某种男性需求而对当时的男性气质、男性形象所做的有益补充,是为男性意愿下的进一步"被书写"。受制于文化形态的男性气质书写、男性形象塑造与进一步受制于男性需求的女性气质书写、女性形象塑造彼此搭配进而构成了这一时期文本表现中具有代表性的两性关系模式,并在两性关系的构建上体现出了这一时期的文化选择与男性意愿。
[Abstract]:Wen, Wu is the core of Chinese ancient masculinity and an important embodiment of masculinity. The masculinity writing in Song Ming's novels shows an obvious emphasis on the stage, which is a dynamic process of continuous construction, and has a inextricable causal relationship with the cultural forms of different stages. On the other hand, the writing of female temperament and even the shaping of female image are further restricted by the male will, and to a certain extent, it is a beneficial supplement to the masculine temperament and male image at that time based on certain male needs. Is for the male will to further "be written". Constrained by the cultural form of male temperament writing, male image shaping and further constrained by male needs of female temperament writing, female image shaping each other collocation, thus constituting a representative gender relations in the text of this period. And in the construction of gender relations, this period reflects the cultural choice and male will.
【作者单位】: 陕西师范大学文学院;中国矿业大学银川学院中文系;
【分类号】:I207.41


本文编号:1928539

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