《西游记》小说之前的观音书写——以“玄奘西行”题材为中心

发布时间：2018-05-25 20:42

本文选题：玄奘西行 + 观音信仰　；参考：《中南大学学报(社会科学版)》2017年05期

【摘要】：在以"玄奘西行"为题材的文献作品中,有大量关于观音的书写。对其进行纵向梳理,可以清晰地考察出我国早期观音信仰的衍化轨迹。《大唐西域记》和《大慈恩寺三藏法师传》尚属实录性质,其中关于观音信仰的叙写,真实地反映了一个佛教信徒所亲身经历的宗教体验,但还没有对观音形象进行有意识的创造。随着"玄奘西行"故事的发展,观音的地位日渐凸显。在《大唐三藏取经诗话》中,观音虽作为主要神灵出现,但还处于次要地位,也没出现具体的真身形象。《西游记》杂剧是第一个以文学创作为目的的关于玄奘西行取经的作品,观音在取经途中的作用大大加强,已经成为取经队伍的组织者和主要保护者,更主要的是,还首次出现了具体的南海观音形象。小说《西游记》对南海观音形象的塑造就是承接杂剧《西游记》而来的。
[Abstract]:In the literature about Xuan Zang westward, there is a lot of writing about Quan Yin. Through longitudinal combing, we can clearly find out the evolution of Guanyin belief in the early period of our country. "the Records of the Western regions of the Tang Dynasty" and "the Biography of the three Tibetan Mages of the Da Cien Temple" are still recorded, among which the narration of the belief of Guanyin is described. It truly reflects the religious experience experienced by a Buddhist believer, but there is no conscious creation of the image of Quan Yin. With the development of the story of Xuanzang westward, the status of Quan Yin is becoming more and more prominent. In Poems from the Great Tang Dynasty, Guanyin appears as the main god, but it is still in the secondary position and has no concrete true body image. "Journey to the West" is the first work about Xuanzang's westward journey to the west for the purpose of literary creation. The role of Guanyin in the course of learning has been greatly strengthened and has become the organizer and main protector of the Scripture team. More importantly, for the first time, the image of Guanyin in the South China Sea has appeared for the first time. The novel Journey to the West portrays the image of Guanyin in the South China Sea.
【作者单位】：中南大学文学与新闻传播学院;
【基金】：国家社科基金项目“中国古代小说中的女神书写研究”(15BZW069) 湖南省社科基金重点项目“以非物质文化遗产教育为切入点培育大学生文化自信研究”(16ZXB01) 湖南省社会科学成果评审委员会项目“高校非物质文化遗产教育与大学生文化自信之培育”(XSP17YBZC200)
【分类号】：I206

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