文化符号与晚清南京的地域认同——以曾国藩“进驻”莫愁湖与“莫愁湖题联事件”为中心

发布时间：2018-06-02 03:27

本文选题：莫愁 + 文化符号　；参考：《江苏社会科学》2017年04期

【摘要】："莫愁"是具有代表性的南京城市文化符号。考察一系列围绕"莫愁"符号的文化事件,可以细致体味晚清南京地方社会的集体心性。因为太平天国战中的湘军屠城史事,南京士人对湘籍人群产生了强烈的抵触情绪。纵使官方的操作和说辞不断试图淡化宁、湘籍人群的冲突,湘籍官员曾国藩对南京城市复建工作付诸多般努力,亦难以消弭南京士人的不满。一方面是清政府选择性的话语建构与形象塑造,另一方面是南京地方社会对湘军屠城难以忘怀的民间记忆,"莫愁"符号成为二者冲突聚焦之处。梳理曾国藩"进驻"莫愁湖的过程,还原"莫愁湖题联事件"的始末,可以呈现"莫愁"文化符号是如何承载并体现了晚清南京士人的地域认同。
[Abstract]:Mo sorrow is a representative symbol of Nanjing city culture. To investigate a series of cultural events around the symbol of Mo sorrow, we can carefully appreciate the collective mentality of Nanjing local society in the late Qing Dynasty. Because of the history of the slaughter of Hunan troops in the Taiping Heavenly Kingdom, Nanjing scholars had strong resistance to Hunan nationality. Even though the official operation and rhetoric are trying to dilute the conflict between Hunan and Hunan people, it is difficult to eliminate the discontent of Nanjing scholars because of the great efforts of Hunan official Zeng Guofan to rebuild the Nanjing city. On the one hand, the selective discourse construction and image shaping of Qing government; on the other hand, the folk memory of the local society in Nanjing is unforgettable to the Xiangjun slaughter city, and the symbol of "Mo sorrow" becomes the focus of the conflict between the two. Combing the process of Zeng Guofan's "entering" into Mochou Lake and restoring the beginning and end of "Mochou Lake", we can see how the cultural symbol of "Mo sorrow" was carried and reflected the regional identity of the scholars in Nanjing in the late Qing Dynasty.
【作者单位】：美国宾夕法尼亚大学历史系;
【基金】：中国香港特别行政区大学教育资助委员会资助项目“Religious Life in Ming-Qing Nanjing”(“明清南京的宗教生活”,RGC编号:1140-5617)补助
【分类号】：I206.5;K252

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