诗曲交侵下的词体重构

发布时间：2018-06-12 02:55

本文选题：以诗为词 + 以词为曲　；参考：《北京大学学报(哲学社会科学版)》2017年05期

【摘要】：一种文体本质特征和历史地位的形成,不仅是自身发展所致,也是相近文体间不断辨体的结果。作为一种易于诗化或曲化的文艺形态,词无论数量特征还是功能影响皆不如诗曲显著,然其先从乐府、声诗中突围而"别是一家",继未被转踏、赚词、诸宫调所裹挟而泯然曲中,终能"上不似诗,下不类曲",甚至分席鼎峙而为一代之文学,端赖诗曲交互影响下的更新再造。诗词、词曲之辨促使词体本质特征进一步明确,在创演、风格、文本、声律等层面逐步规范和定型。在词借鉴和参照诗曲实现重构的同时,诗曲也因之确定了各自界域,事实上形成了三者异质同构、相反相成的关系。
[Abstract]:The formation of the essential features and historical status of a style is not only the result of its own development, but also the result of the continuous discrimination between similar styles. As a kind of literary and artistic form which is easy to be poetic or qu, the influence of ci on quantity and function is not as remarkable as that of poem. However, it breaks through from Yuefu, and breaks through the sound of poetry, but "another is one", and then it has not been transferred to make words. In the subdued songs of all the hymns, the literature of "no poetry, no music", even literature of a generation, depends on the interaction of poetry and song. The differentiation of poems and songs makes the essential characteristics of ci and style more clear, and gradually standardizes and sets in the aspects of creation, style, text and rhythm. In the process of reconstructing poetry by reference to ci, poetry and song also define their respective boundaries. In fact, they form a relationship of heterogeneity and isomorphism, which is opposite and complementary to each other.
【作者单位】：清华大学人文学院;
【分类号】：I207.23

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