黄晓阳官场小说透视

发布时间：2018-06-13 01:46

本文选题：黄晓阳 + 官场小说　；参考：《牡丹江师范学院》2015年硕士论文

【摘要】：黄晓阳的《二号首长》、《二号首长2》、《二号首长3》、《高手过招》、《阳谋高手》分别于2011年5月、9月、12月、2012年2月及4月陆续呈密集梯队出版,先是在公务员阶层以及国企高管层引发强烈反响,后来轰动效应如涟漪般扩散,被许多人称之为“官场教科书”,《二号首长1》仅出版一年就达到了120万册的市场销量以及在盗版市场的疯狂表现,将整个出版江湖搅得风起云涌。该书被亚洲周刊评为2011年度十大中文小说之一,名列第三,成为近年来最叫座的官场小说,不能不令人叹为观止。在官场小说如此之多的今天,黄晓阳的官场小说能如此受追捧和关注,不能不说其必然有他的过人之处。本文在考察前人和同类研究的基础上,从整体上对黄晓阳的官场小说进行全面的梳理、剖析和阐述,从细读黄晓阳官场小说的文本入手,通过对其官场小说的主题思想、人物塑造、叙事艺术等方面做一些深度的开掘和探究,以期对黄晓阳的官场小说有更全面的把握、更客观的评价和更准确的定位。论文共分为三章。第一章黄晓阳官场小说的主题构成。黄晓阳推崇的为官之术:“王者伐道,智者伐交,武者伐谋”,在他的官场小说中充满了理性与哲学的思考、智慧与权谋的运筹、规则与秩序的微妙、邪恶与正义的较量、灵魂的堕落与救赎,权力的博弈和制衡,这些问题的展示与剖析就构成了黄晓阳官场小说的主题。第二章黄晓阳官场小说的人物塑造。黄晓阳的官场小说之所以能够博取广大读者的强烈追捧,是因为其作品中塑造了一系列有血有肉,丰满真实的典型人物。黄晓阳将这些人物刻画成极具特点、性格矛盾冲突明显、异常引人注目的介于黑白之间的灰色人物,既非大是大非的赞扬批判,也非清廉与贪污的类型比较,较之以前官场小说的人物形象塑造有很大的超越,使之更接近现实世界,同时更加的生动真实。这些典型人物的刻画,具有深刻的思想性和较为广泛的代表性。第三章黄晓阳官场小说的叙事艺术。黄晓阳用深入的笔触探究官场内部权力争斗的真相和官本位文化的本质与表征,使他的官场小说进入了一个新的表现领域。他用独特的叙事视角、模式和方法集中描绘了官场的原生态,以引起整个社会的关注和思考,祈望文学来唤起民众的正义和良知,同时作家适应社会发展不断迎合读者的审美趣味和消费心态的变化,商业化的包装与宣传进一步扩大了其官场小说的社会影响力,呈现出新时期以来官场小说较为成熟的状态。
[Abstract]:Huang Xiaoyang's "second head", < second Chief Officer 2 >, < second Chief Officer 3 >, "Master Master", "Yangmou Master" were published in dense echelons in May, September, December, February, and April, 2012, respectively. First there was a strong reaction at the civil service level and at the top of the state-owned enterprise, and then the sensational effect spread like a ripple. Many people call the "official textbook", "second Chief 1" published in just one year to reach 1.2 million copies of the market sales and in the piracy market crazy performance, the entire publication of the quagmire. The book was named by Asia Weekly as one of the top ten Chinese novels in 2011, ranking third and becoming the most popular official novel in recent years. With so many officialdom novels today, Huang Xiaoyang's officialdom novels are so popular and concerned that they must have his own advantages. On the basis of investigation of predecessors and similar studies, this paper makes a comprehensive analysis, analysis and elaboration of Huang Xiaoyang's official novels on the whole, begins with a detailed reading of the texts of Huang Xiaoyang's official novels, and through the theme of Huang Xiaoyang's official novels, In order to have a more comprehensive grasp, more objective evaluation and more accurate positioning of Huang Xiaoyang's official novels, some deep excavations and explorations are made in the aspects of character shaping and narrative art. The thesis is divided into three chapters. The first chapter is the theme composition of Huang Xiaoyang's official novels. Huang Xiaoyang's art of becoming an official: "the king of the king, the wise man, the martial man," is full of rational and philosophical thinking, the operation of wisdom and power, the subtlety of rules and order, and the contest between evil and justice in his official novels. The depravity and redemption of soul, the game and balance of power, the display and analysis of these problems constitute the theme of Huang Xiaoyang's official novels. The second chapter is the characterization of Huang Xiaoyang's official novels. Huang Xiaoyang's official novels are popular with readers because of a series of flesh-and-blood, full-bodied and real characters in his novels. Huang Xiaoyang portrays these characters as extremely distinctive, with obvious conflicts of character, and a particularly striking gray figure between black and white. He is neither a major praise nor a criticism of right or wrong, nor a comparison of the types of honesty and corruption. Compared with the former officialdom novels, it has great transcendence, making it closer to the real world, and more vivid and real at the same time. The portrayal of these typical characters has profound ideological content and more extensive representativeness. The third chapter is the narrative art of Huang Xiaoyang's official novels. Huang Xiaoyang used his deep strokes to probe into the truth of the power struggle in the official field and the essence and characterization of the officialdom standard culture, which made his official novels enter a new field of expression. With his unique narrative perspective, he focuses on depicting the original ecology of officialdom in order to arouse the attention and thinking of the whole society and pray for literature to arouse the justice and conscience of the people. At the same time, the writer adapts to the social development and constantly caters to the changes of the readers' aesthetic taste and consumption mentality. The commercial packaging and propaganda further expands the social influence of his official novels and presents a more mature state of the official novels in the new period.
【学位授予单位】：牡丹江师范学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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