新世纪汉族作家的藏地小说研究

发布时间：2018-06-14 19:33

本文选题：汉族作家 + 藏地小说　；参考：《南京师范大学》2017年硕士论文

【摘要】：藏地自古就是中国不可分割的一部分,作为一种独特的文化资源,藏地在新中国成立伊始就不断被汉族作家书写。当代汉族作家的藏地小说是当代汉族作家创作的将文本旨意指向藏地的文明形态的小说。这是汉族作家在观察体验藏族社会生活的过程中,以在藏地生活者为艺术形象,以在藏地发生的故事为情节展开的小说创作。文学作为人思想观念的反映,与相应时代的经济水平、社会政治变革密不可分。迈入新世纪,伴随着中国加入WTO、青藏铁路的开通,藏地以开放的姿态迎接着八方来客,这也使汉族作家的藏地小说创作呈现出与以往不同的文学品格。全文分为绪论、正文的四个章节与结语。绪论中整理了新世纪之前当代汉族作家藏地小说创作的三个阶段,分析三个阶段因作家的身份背景、所处时代的政治经济状况的不同,藏地小说所呈现出的不同特征。进而探讨了新世纪以来汉族作家藏地小说“新”在何处——新的作家群体、新的藏地面貌、新的创作诉求。论文第一章梳理了新世纪汉族作家藏地小说创作的四种新走向,由此考察小说背后的创作动机与诉求。第二章以自然为核心,探讨了在新世纪自然不再是背景式的存在,而是经过汉族作家的感性想象具有了 “神性”色彩,以及汉族作家通过人与动物的交往张扬动物的主体性。第三章展现了在新世纪全球化的语境下,藏地作为文化交汇地带所出现的信仰冲突与和谐共生、血脉交融与跨国对话。第四章探讨新世纪汉族作家在藏地价值观影响下的精神追求与写作姿态。藏地轮回的生死观念使他们更注重内心世界的探询,并也深刻地体现在他们的叙事中;他们用“静观”的方式关照自我、关注本质,整体上呈现出“慢写作”的特点;“流浪”成为汉族作家藏地写作的独特关注与资源。结语中总结了藏地作为一种写作策略和创作资源对当代文学创作的意义,以及新世纪汉族作家藏地小说创作的不足之处。新世纪汉族作家的藏地小说无论是创作人数还是小说数量都比较多,论文分析了在他们为什么要疏离内地文化书写他者文化,藏地在自然、文化层面给汉族作家提供了写作资源,这些资源又是如何在文本中得以呈现的。同时,探讨了藏地小说创作作为一种写作姿态和写作精神的文学追求对拓宽文学写作资源,在全球化时代挖掘当代中国文学内在活力的意义。
[Abstract]:Tibetan land has been an inseparable part of China since ancient times. As a unique cultural resource, Tibetan land has been written by Han writers since the founding of New China. The Tibetan novels of contemporary Han writers are novels written by contemporary Han writers that point the text to the civilized form of Tibet. In the process of observing and experiencing Tibetan social life, this novel is composed of people living in Tibet as artistic image and stories occurring in Tibet as the plot. Literature, as a reflection of human ideology, is closely related to the economic level and social and political changes of the corresponding times. In the new century, with China's entry into the WTO, the opening of the Qinghai-Tibet Railway, Tibet welcomes the visitors from all directions with an open attitude, which also makes the Tibetan novel creation of Han Chinese writers show a different literary character than before. The full text is divided into the introduction, the text four chapters and the conclusion. In the introduction, the author arranges the three stages of the contemporary Han writers' Tibetan novels before the new century, and analyzes the different characteristics of the Tibetan novels because of the writer's identity background, the different political and economic conditions of the times in which the writers live and the different characteristics of the Tibetan novels. Then it discusses where the novel "New" of Han Chinese writers has been written since the new century-new writers' groups, new Tibetan features, and new creative demands. The first chapter combs the four new trends of Tibetan novel creation of Han nationality writers in the new century, and investigates the motive and demand behind the novel. The second chapter, taking nature as the core, discusses that nature is no longer the background existence in the new century, but has the color of "divinity" through the perceptual imagination of Han nationality writers, and the Han nationality writers promote the subjectivity of animals through the communication between human beings and animals. In the context of globalization in the new century, the third chapter shows the conflict of belief and harmony, the blending of blood and the transnational dialogue. Chapter four discusses the spiritual pursuit and writing posture of Han writers in the new century under the influence of Tibetan values. The concept of life and death of Tibetan reincarnation makes them pay more attention to the inquiry of inner world and also deeply reflect in their narration, they take care of themselves in the way of "watching quietly", pay attention to the essence, and present the characteristics of "slow writing" on the whole; Vagrancy has become a unique concern and resource for the writing of Han writers in Tibet. The conclusion sums up the significance of Tibetan region as a writing strategy and creative resource to contemporary literary creation, as well as the deficiency of Tibetan novel creation of Han nationality writers in the new century. In the new century, the number of Tibetan novels written by Han writers in the new century is quite large, both in terms of the number of writers and the number of novels. The paper analyzes why they should be alienated from the mainland culture to write about the other's culture, and that the Tibet is in the nature. At the cultural level, Han writers are provided with writing resources, and how these resources are presented in the text. At the same time, this paper probes into the significance of the literary pursuit of Tibetan novel creation as a writing posture and writing spirit to broaden the literary writing resources and to excavate the inner vitality of contemporary Chinese literature in the era of globalization.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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