朝市与佛境:钟鼓之声佛教意蕴的生成及发展

发布时间：2018-06-23 08:17

本文选题：法鼓 + 佛钟　；参考：《东南学术》2017年05期

【摘要】：晨钟暮鼓是我国古代极富文学意味的声音景观,这个成语的解释者往往会首先揭橥它的佛教源头,甚至追溯至唐人李咸用的诗篇。而唐诗里钟鼓之声宗教意蕴的文学表现一直较受学界关注。但若整体观照我国古代(尤其是六朝至赵宋)关于钟鼓之声的书写历史,可以发现今人所熟识的钟鼓之声宗教意蕴的生成,乃至"晨钟暮鼓"或"暮鼓晨钟"之类程式化的文学表现,曾经受到官方钟鼓报时警戒制度、佛教仪轨等合力的作用和影响。在晨钟暮鼓这一诗意与佛意相融的典型意象的生成演变中,对鼓声、钟声、朝暮鼓和朝钟暮鼓等声音景观的复杂变迁,以及这些声音景观所含蕴的不同的思想文化寓意——从熙熙攘攘的朝市到清空寂静的佛境进行考察,不但可以见出宗教对文学的影响,也可管窥我国古代文学在寺庙建制、佛教仪轨等层面所可能具有的启发作用。
[Abstract]:The morning bell and the twilight drum are the sound landscape of the ancient Chinese literature. The interpreter of this idiom often reveals its Buddhist origin first, and even goes back to the poems of Li Xian of the Tang Dynasty. However, the literary expression of the religious implication of the bell and drum in Tang poetry has been paid more attention to by scholars. However, if we look at the writing history of the sound of the bell drum in ancient China (especially from the six dynasties to the Zhao and Song dynasties), we can find the generation of the religious meaning of the sound of the bell drum, which is familiar to us today. Even the stylized literary expressions such as "Drum and Twilight Drum" or "Twilight Drum" have been influenced by the system of official bell-drum reporting and warning, Buddhist ritual and so on. In the formation and evolution of the typical imagery of the morning bell and the twilight drum, the complex changes of the sound landscape, such as drum, bell, Twilight drum and so on, And the different ideological and cultural implications of these sound landscapes-from the bustling city to the empty and silent Buddhist territory, one can not only see the influence of religion on literature, but also peek at the ancient Chinese literature in the temple establishment. Buddhist ritual and other aspects of the possible enlightenment.
【作者单位】：复旦大学古籍所;
【基金】：上海市哲学社会科学规划项目“谢灵运诗文编年校释”(项目编号:2014BWY002)
【分类号】：I206.2

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