王小波作品在当代中国的接受研究

发布时间：2018-06-25 18:30

本文选题：王小波 + 接受研究　；参考：《西南交通大学》2017年硕士论文

【摘要】：作为中国当代颇具影响力的作家,王小波在消费文化语境中受到了现代传媒、出版商、人文学者、批评家、文学青年、大众读者等群体的广泛注意。从王小波去世算起,他的文学地位经历了从文学场域边缘向中心位置滑动的转变。本论文以读者的接受史为出发点,考察王小波从开始进入文学场直至当下的文学接受状况。论文试图以王小波去世为时间节点,深入历史语境,在细节性史实的层面上进行发生学的探究,并在大众化接受和精英化接受两个向度上宏观考察王小波作品在当代中国的接受情况,系文学外部研究。论文分引言、正文和结语三部分,主要分以下几个部分进行论述:引言部分:论述论文的选题意义与价值、王小波在当代接受研究中的研究现状以及本论文研究的思路与方法。第一章:考察王小波在1990年代文化空间中的文学入场接受。以王小波1997年去世为时间节点,追上溯下,把王小波的文学创作放置在90年代中国文化语境中考察分析,历时性地梳理王小波在其生前的文坛接受状况。对王小波的有意误读是因为学者、青年、媒体等群体有各自的利益诉求。面对误读,需要还原历史场景,通过对“文坛外高手”等概念的辨析、以及对王小波生前出版情况、对王小波和媒体的关系、对王小波在台港文学场域占位状况分别进行考察,还原王小波生前真实的文学接受历程,在主流文化、大众文化和精英文化的关系中探求王小波的身份认同。第二章:从大众化接受的向度考察王小波在消费文化语境中的文学接受情况。王小波真正意义上被大众接受,源于“王小波死亡事件”。王小波去世之后,王小波在大众化接受历程中热度不减,各式各样的报纸报道、纪念活动、作品改编等“不亦乐乎”,文学爱好者和青年学子以王小波为师承,在消费文化语境中自成一景。王小波在走向流行性经典的过程中,媒体既是王小波的一个极其有力量的传播平台,也是王小波形象的主要塑造者,而当媒体权力渗透到文学本身,王小波的文学意义已被改写。在消费文化语境中,王小波背向大众,背向商业,但其作品的复义性跨越了雅俗界限,是王小波能被广泛认可的主要原因之一。在无尽的狂欢和推举中,王小波作品成为当代群选经典,但与此同时,王小波作品的意义在一定程度上被削平。第三章:从精英化接受的向度考察王小波在学院派精英读者中的接受情况。王小波在学院批评的研究历程中是何如被评价和阐释的,这些批评在研究过程中发生了何种变化,对这些问题的回答有必要从宏观角度考察王小波的动态阐释过程。抽取有代表性的当代文学史和文学选本样本,在时间谱系上考察王小波的文学地位,以此探究王小波文学地位的变化情况。第四章:当代经典的形成是大众化接受和精英化接受的双向互动的结果,王小波的当代文学接受是多种参与机制与权力话语共同作用的结果。此部分在前两章基础上,从经典建构角度分析王小波在在消费文化视域下的文学接受状况。结语部分:总结全文,得出结论。
[Abstract]:As a contemporary Chinese influential writer, Wang Xiaobao has received extensive attention from modern media, publishers, humanists, critics, literary critics, literary youth, and public readers in the context of consumer culture. From Wang Xiaobao's death, his literary status has gone through the transition from the edge of the field of literary field to the central position. The readers' history of acceptance is the starting point to investigate Wang Xiaobao's literary acceptance from the beginning of the literary field to the present. The thesis attempts to take Wang Xiaobao's death as a time node, to deepen the historical context, to explore the genesis of the details, and to examine Wang Xiaobao in a macroscopic view on the acceptance of popular acceptance and the acceptance of the elite in the two dimensions. The acceptance of the works in contemporary China is an external study of literature. The thesis is divided into three parts: introduction, text and conclusion, which are mainly discussed in the following parts: Introduction: the significance and value of the topic, the present situation of Wang Xiaobao in the study of contemporary acceptance and the thought and method of the research in this thesis. Chapter 1: the investigation of King The acceptance of literature in the cultural space of 1990s. With Wang Xiaobao's death in 1997 as the time node, it traced and traced Wang Xiaobao's literary creation in the context of the Chinese cultural context in 90s, and analyzed Wang Xiaobao's acceptance of the literary world in his life. The intentional misreading of Wang Xiaobao is because scholars, young people, The media and other groups have their own interests. In the face of misreading, it is necessary to restore the historical scene. Through the discrimination of the concepts of "high hands in the literary world", and the relationship between Wang Xiaobao and the media, Wang Xiaobao's relationship in the literary field of Taiwan and Hong Kong is inspected to restore the true literary connection before Wang Xiaobao's life. Through the course, Wang Xiaobao's identity is explored in the relationship between mainstream culture, mass culture and elite culture. The second chapter is to examine the literary acceptance of Wang Xiaobao in the context of consumer culture from the perspective of popular acceptance. Wang Xiaobao is truly accepted by the masses, originates from the "Wang Xiaobao death event". After Wang Xiaobao's death, Wang Xiaobao In the course of popular acceptance, all kinds of newspaper reports, commemorative activities and works adaptation are "very happy". The literary enthusiasts and young students take Wang Xiaobao as the teacher, and become a scene in the context of the consumption culture. In Wang Xiaobao's journey towards the popular classics, the media is an extremely powerful of Wang Xiaobao. The communication platform is also the main creator of Wang Xiaobao's image, and when the media power permeates literature itself, Wang Xiaobao's literary meaning has been rewritten. In the context of consumer culture, Wang Xiaobao is back to the public and back to business, but the meaning of his works is leaps and bounds, one of the main reasons that Wang Xiaobao can be widely recognized. In the revelry and promotion of Wang Xiaobao's works, the works of Wang Xiaobao become the classic of contemporary group selection, but at the same time, the meaning of Wang Xiaobao's works has been reduced to a certain extent. In the third chapter, the acceptance of Wang Xiaobao in the elite readership of the college is examined from the degree of elite acceptance. How is Wang Xiaobao being evaluated and explained in the course of the study of the college batch review, What changes have taken place in these criticisms in the course of the study; it is necessary to examine Wang Xiaobao's dynamic interpretation process from a macro perspective, to extract representative contemporary literary history and literary selected samples, and to investigate the literary status of Wang Xiaobao on the pedigree of time, so as to explore the changes in the status of Wang Xiaobao's literature. Fourth Chapter: the formation of Contemporary Classics is the result of two-way interaction between popular acceptance and elite acceptance. Wang Xiaobao's acceptance of contemporary literature is the result of the joint role of various participation mechanisms and power discourse. On the basis of the first two chapters, this part analyses the literary acceptance of Wang Xiaobao in the perspective of consumer culture from the perspective of classical construction. Points: summing up the full text and drawing conclusions.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.7

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