张岱“小品”研究

发布时间：2018-06-26 18:42

本文选题：张岱 + 小品　；参考：《华中师范大学》2017年硕士论文

【摘要】：本文主要采用文学理论和文献考证的方法,对张岱小品的文学概念、文献情况、文学内部特征等进行论证和辨析。首先,初步明确“小品”在具体时代的概念内涵,通过对小品一词概念的充分辨析,构建一个基本的理论框架。其次,回归到本文的具体研究对象——张岱的小品,明晰其小品文献的形态样貌、体例特征、内容情感等。再次,对张岱小品的世俗化形态分别加以说明和论证。最后,对张岱小品“性灵”特征的来源和表现进行探索和论证。本文主体部分主要分为四章,与此同时,编撰附录四个,附于全文主体部分之后。第一章为“小品”概念的辨析,分别从文体、文学审美范式和文学风尚等方面进行考证和论析,通过对晚明文人们对小品的谈论来辨析它的具体概念内涵,从而对“小品”这一概念有一个明确的理性认识,并以此为本文研究的理论前提。第二章是对张岱小品著作的文献形态予以分别探析,从它的成书时间、版本情况、文章体例、传播情况等加以梳理和考证,对比分析其与晚明小品这一概念的理论契合处。第三章为张岱小品世俗化形态的分析论证,运用世俗化理论和晚明文学思潮对张岱小品所呈现的市民化、享乐化与风俗化等世俗形态进行理据性说明。第四章是对张岱小品所呈现出的“性灵”特征的一个论析,分别从性灵最初的文字内涵,其受晚明性灵文学的影响,以及其小品呈现性灵的具体表现来论证。附录部分为《小品概念的演进——魏晋至元》、《四库全书总目对小品的述评》、《张岱小品的文献著录及使用情况》以及《张岱小品序跋补遗与评点辑录》,主要是对小品概念的一个纵向梳理,为“小品” 一词在晚明时期的具体概念提供佐证。同时,从张岱小品的文献和后世文人对其小品的点评情况,来客观了解张岱小品外在与内在的真实样貌。
[Abstract]:This article mainly uses the literature theory and the literature textual research method, carries on the demonstration and the analysis to the Zhang Dai sketch literature concept, the literature situation, the literature internal characteristic and so on. First of all, the concept connotation of "sketch" in the specific era is made clear, and a basic theoretical framework is constructed by fully discriminating the concept of "sketch". Secondly, return to the specific research object of this article-Zhang Dai's sketch, clarify the shape and appearance, style characteristics, content emotion and so on. Thirdly, the secularization form of Zhang Dai's essay is explained and demonstrated separately. Finally, the author explores and demonstrates the origin and performance of Zhang Dai's short essay "sexual Spirit". The main body of this paper is divided into four chapters, at the same time, the appendix four, attached to the main part of the full text. The first chapter is the differentiation and analysis of the concept of "essay", respectively from the aspects of style, literary aesthetic paradigm and literary fashion, etc. Thus, the concept of "sketch" has a clear rational understanding, and this is the theoretical premise of this study. The second chapter is to analyze the literature form of Zhang Dai's short works, from the time of its completion, edition, style, dissemination and so on to comb and textual research, comparative analysis of the late Ming Dynasty sketch this concept of theoretical convergence. The third chapter is the analysis and argumentation of the secularization form of Zhang Dai's essay, which is based on the theory of secularization and the literary trend of the late Ming Dynasty. The fourth chapter is a discussion and analysis of the characteristics of "spirit" in Zhang Dai's essay, respectively, from the original text connotation of the spirit, its influence by the literature of the spirit of the late Ming Dynasty, as well as the concrete performance of the short essay showing the spirit of nature. The appendix part is "the evolution of the concept of sketch-Wei, Jin to Yuan", "the commentary of the general heading of Siku", "the literature description and use of Zhang Dai's short works" and "the preface and postscript of Zhang Dai's short works and comments", which is mainly about small works. A vertical combing of the product concept, To provide evidence for the specific concept of the term "sketch" in the late Ming Dynasty. At the same time, from the literature of Zhang Dai's essays and the comments made by later literati on them, we can objectively understand the real appearance of Zhang Dai's essays.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.62

【参考文献】