戏曲宾白与曲词的叙事功能及相互关系

发布时间：2018-06-27 06:59

本文选题：古典戏曲 + 宾白　；参考：《南通大学学报(社会科学版)》2017年02期

【摘要】：戏曲语言有两种不同的形式——曲词和宾白,前人多认为“曲文抒情,宾白叙事”,其实这只是二者的主要功能。在古典戏曲理论中,剧论家们认为这两种语言形式都具有叙事功能,但各有所重。其中,宾白承担着主要叙事任务,从故事结构来看,起承上启下的作用,从叙事内容来看,展现着故事的颠末脉络;而曲词常常表现为将宾白中所叙内容再叙,因其得到曲牌、宫调相助,将浓郁的情感蕴育在一吟一唱中,使戏曲故事的表达具有了情事相容、意蕴丰富的内涵;同时,曲词与宾白在叙事中相互倚助、互相推动、不可偏废。
[Abstract]:There are two different forms of opera language-qu ci and Bai Bai, which are considered by predecessors as "lyricism and narration". In fact, this is only the main function of them. In classical opera theory, drama theorists believe that the two language forms have narrative function, but each has its own emphasis. From the perspective of the structure of the story, it acts as a link between the preceding and the following, and from the narrative content, it shows the context of the story, while the qu ci is often reflected in the re-narration of the content described in the object, because it gets the qu card. With the help of Gong Diao, the rich emotion is nurtured in one song and one song, so that the expression of the opera story has the compatible meaning and rich connotation; at the same time, the song words and the object white rely on each other in the narration, promote each other, and can't be biased.
【作者单位】：山西师范大学戏剧与影视学院;
【分类号】：I207.37

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