许浑诗歌创作与佛道二教

发布时间：2018-06-29 17:23

本文选题：许浑 + 晚唐　；参考：《四川师范大学》2017年硕士论文

【摘要】：晚唐诗人许浑诗歌中反复出现的佛道二教题材、意象、观念等直接反映了佛道二教对许浑诗歌创作的影响。许浑诗歌中深深的佛道情结既是唐代对佛道二教兼收并蓄的大环境下的缩影,也与诗人的自身经历紧密相关。本文试图结合晚唐历史、许浑的生平经历以及许浑的诗歌文本揭示在佛道二教影响下的许浑诗歌的独特性。第一章“绪论”综述许浑诗歌创作与佛道二教的研究现状;第二章“晚唐时代背景及许浑生平”通过概述晚唐时期佛道二教的基本情况和许浑生平经历,得出许浑诗歌中的佛道情结既是时代背景下的产物也与其自身经历相关的结论;第三章“许浑诗歌与佛教”从题材和观念两个方面分析许浑诗歌与佛教的关系,通过拜谒寺庙、交游僧人以及亲自修行等与佛教相关的经历进入许浑诗歌的题材,以及佛教“人生如梦”“五蕴皆空”等观念影响许浑诗歌的思想这一现象,结合晚唐时期的社会背景,得出许浑诗歌中的佛教因素反映了唐代文人推崇佛教的社会风气和王朝接近尾声时文人难以实现抱负因而将佛教作为精神寄托这一结论;第四章“许浑诗歌与道教”从题材、典故和观念等方面分析许浑诗歌与道教的关系,结合许浑拜谒道观、交往修道之人和亲自修道等题材的诗歌,以及反映道教养生观念、长生观念的诗歌,得出许浑诗歌中的道教因素既是唐代尊崇道教的社会风气所致也是体弱多病的许浑在家乡道教氛围影响下的产物;第五章“许浑诗歌中的二教融合”从许浑对佛道二教的接受、许浑诗歌中的二教融合现象以及许浑对佛道二教的态度三个方面加以分析,得出许浑的诗歌反映出他希望通过道教获得身体安宁,通过佛教获得精神安宁的愿望。前者更多地与许浑的自身经历相关,后者更多地与晚唐的时代背景相关这一结论。
[Abstract]:The themes, images and concepts of Buddhism and Taoism in the poems of Xu Hun, a poet of late Tang Dynasty, reflected directly the influence of Buddhism and Taoism on the creation of Xu Hun's poems. The deep complex of Buddhism and Taoism in Xu Hun's poems is not only the epitome of the all-inclusive environment of Buddhism and Taoism in the Tang Dynasty, but also closely related to the poet's own experience. This paper attempts to reveal the uniqueness of Xu Hun's poems under the influence of Buddhism and Taoism by combining the history of the late Tang Dynasty, the life experience of Xu Hun and the poetic texts of Xu Hun. The first chapter "introduction" summarizes the present situation of Xu Hun's poetry creation and the study of Buddhism and Taoism, the second chapter "the background of the late Tang Dynasty and Xu Hun's life" summarizes the basic situation of the Buddhism and Taoism two religions in the late Tang Dynasty and Xu Hun's life experience. The conclusion that the complex of Buddhism and Taoism in Xu Hun's poetry is not only the product of the times but also related to his own experience. Chapter three, "Xu Hun's Poetry and Buddhism", analyzes the relationship between Xu Hun's poetry and Buddhism from two aspects of subject matter and concept, and pays a visit to the temple by paying homage to the temple. The Buddhist related experiences, such as friends monks and personal practice, entered the themes of Xu Hun's poems, and the Buddhist concepts such as "life is a dream" and "five possessions are empty" influenced the thought of Xu Hun's poetry, and combined with the social background of the late Tang Dynasty. It is concluded that the Buddhist factors in Xu Hun's poems reflect the social ethos of the scholars in the Tang Dynasty who respected Buddhism and that the Wen people were unable to realize their aspirations at the end of the dynasty. The fourth chapter, "Xu Hun's Poetry and Taoism", is based on the theme of "Xu Hun's Poetry and Taoism". The relationship between Xu Hun's poems and Taoism is analyzed in allusion and concept. The poems on the topics of Xu Hun's worship of the Taoism, the contact between the people who practice the Tao and the people who practice the Taoism personally, as well as the poems that reflect the Taoist concept of health preservation and the concept of living forever, are analyzed. It is concluded that the Taoist factors in Xu Hun's poems are not only the result of the social atmosphere of respecting Taoism in Tang Dynasty, but also the product of the weak and sickly Xu Hun under the influence of Taoist atmosphere in his hometown. Chapter five, "the Integration of two religions in Xu Hun's Poems", is based on Xu Hun's acceptance of the two religions of Buddhism and Taoism. This paper analyzes the phenomenon of the integration of the two religions in Xu Hun's poems and his attitude towards the Buddhism and Taoism, and concludes that Xu Hun's poems reflect his desire to obtain physical peace through Taoism and spiritual tranquillity through Buddhism. The former is more related to Xu Hun's own experience, and the latter is more related to the background of the late Tang Dynasty.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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