萧纲及其诗文研究

发布时间：2018-07-11 15:00

本文选题：萧纲 + 宫体　；参考：《绍兴文理学院》2017年硕士论文

【摘要】：萧纲成长于中国历史上动荡频发的南朝,他是乱世中偏安一隅的文学家,也是被人艳羡的帝王。他因其宫体创作而名声显赫,又因其宫体创作而被世人遗弃。本文将对萧纲的文学创作进行全面分析,从多个角度解读他的思想,意在展现一个性格饱满的萧纲形象。本文分为绪论、正文和结语三个部分。绪论是对本文研究现状、文献综述、研究方法等进行梳理与叙述。正文由四个部分组成。第一章是对萧纲的生平和家世进行介绍,重点解决的是萧何、萧望之是否为齐梁帝王祖先,齐梁帝王故里是丹阳或是常州的问题,同时也对萧纲的人生轨迹进行了简单描述。第二章探讨的是萧纲的文学创作与文学思想。萧纲一生创作了大量的文学作品,体裁、题材都很丰富,他的文学创作也展现了其独特的语言魅力。一代之文学有一代之思想,将萧纲的文学思想与同时代的裴子野、钟嵘、萧统等对比,结合其创作进行分析进而展现出其文学思想的独创性。第三章分析萧纲的政治处境对其创作的影响。萧纲能够入主东宫得益于他的戍边经历,而入主东宫后他的境况不是十分得意,他的作品是他情感与渴望的表达。从萧纲边塞诗的用典情况出发,挖掘其内心深处的政治热情。从宫体诗题材的选取中看出萧纲的仁德与不得意。第四章分析佛教思想对萧纲文学创作的影响。佛教从汉代传入中国,逐渐为人们所熟知,到了南朝,佛教发展的势头愈加激烈,一度有成为国教的趋势,这与梁武帝佞佛的行为有着不容区分的联系。梁萧衍的佛教信仰对萧纲的生活与创作的影响也是不容小觑的,体现在诗中是对微观事物整体性的把握和对于圆满念想的追求;体现在文中是其融佛理与治国为一体,化神权为王权。结语部分是对全文的总结与概括,结合萧纲的文学创作,综合前人对萧纲的评价,勾勒出萧纲的人物形象。
[Abstract]:Xiao Gang, who grew up in the Southern Dynasties with frequent turmoil in the history of China, was a litterateur in the turmoil and was the envied emperor of the world. He was famous for his palace creation and was abandoned by the world for his palace creation. This article will make a comprehensive analysis of the literary creation of Xiao Gang and unscramble his thoughts from many angles to show one. This article is divided into three parts: introduction, text and conclusion. The introduction is the present situation, the literature review, the research method and so on. The text is composed of four parts. The first chapter is the introduction to Xiao Gang's life and family life, and the emphasis is on whether Xiao He is the emperor of Qi Liang emperor. First, the hometown of the emperor of Qi and Liang Dynasty is the question of Danyang or Changzhou. At the same time, the life track of Xiao Gang is briefly described. The second chapter discusses Xiao Gang's literary creation and literary thought. There is a generation of ideas in literature. Comparing Xiao Gang's literary ideas with Pei Ziye, Zhong Rong and Xiao Tong in the same era, the author analyzes the originality of his literary thought in combination with his creation. The third chapter analyses the influence of Xiao Gang's political situation on his creation. The situation is not very proud, his work is his expression of emotion and desire. From the allusions of Xiao Gang's frontier poems, he excavates his deep political enthusiasm. From the selection of the theme of the palace poetry, he can see the benevolence and incompetence of Xiao Gang. The fourth chapter analyses the influence of Buddhism on the creation of the study of Buddhism. Buddhism was introduced into China from the Han Dynasty. Gradually, it is well known to people that in the Southern Dynasties, the momentum of the development of Buddhism became more and more intense, and there was a tendency to become a national religion for a time. This was not to be separated from the behavior of emperor Liang Wu. Liang Xiaoyan's Buddhist belief could not be underestimated by the influence of his Buddhist belief on the life and creation of Xiao Gang. As for the pursuit of success, it is reflected in the integration of Buddhism and the governing of the country and the transformation of theocracy into the power of the king. The concluding part is a summary and summary of the full text, combined with the literary creation of Xiao Gang, and the evaluation of Xiao Gang by his predecessors, and outlines the figure of Xiao Gang.
【学位授予单位】：绍兴文理学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.2

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