1938年武汉抗战诗歌研究

发布时间：2018-07-12 11:55

本文选题：1938年 + 武汉　；参考：《华中师范大学》2017年硕士论文

【摘要】：本文是对1938年的武汉抗战诗歌作品和诗歌运动的研究。通过对1938年武汉抗战诗歌研究,可以还原真实而丰富的诗歌现状,展现战时人民的精神状态,弥补文学史对抗战诗歌的相对薄弱的研究现状。本文的研究从以下五个部分展开。绪论是对研究现状、研究意义的陈述,对研究内容的界定,对研究思路和方法的陈述。第一章考察1938年武汉抗战诗歌与战时时局的关系。此章的重点在于呈现1938年武汉抗战诗歌的背景和诗歌在所有文学门类发展中的地位。从国内看,1938年的武汉是全国的战时首都、经济中心、文化领地、军事大本营;从国际看,武汉会战是国际反法西斯战线的重要一环。独特的国内、国际形势使得战时诗歌在内容上由五四以来诗歌表现“小我”情绪转向传达“大众”心声。战时诗歌较同时期其他文学样式具有情绪上的鼓动性、体式灵活、短小自由等特点,因此被视为抗战宣传的重要武器,此时诗歌呈现出异军突起的态势。第二章主要研究1938年前后的抗战诗歌理论。探讨抗战诗歌与五四新诗的关系,再现当时诗论者关于诗歌朗诵、诗歌新旧形式、诗歌大众化等问题的论争,探讨1938年前后抗战诗歌理论对于诗歌创作和诗歌运动的影响。第三章考察抗战诗歌与大众的关系。本章按不同风格类型参与写作诗歌的诗人、因诗创作而结合的团体、不同性质的诗刊这三个维度来呈现1938年武汉抗战诗歌的大众化特点。对诗人高兰、艾青、锡金,邹荻帆、白曙、覃子豪,安娥、臧克家、任钧等代表性诗人的诗歌创作进行品析读解;对七月派、“文协”对诗歌创作和诗歌运动的引领和倡导进行评介;展现《时调》《五月》《七月》《抗战文艺》等文艺刊物,《大公报》《新华日报》《抗战》等报刊中副刊在刊载诗歌、聚集诗人、发展诗论上所取得的成绩。第四章研究1938年武汉抗战诗歌所体现的审美风尚和传播方式。丘八体、大鼓词、民歌、山歌、小调、民谣等样式体现出此时抗战诗歌通俗取向;朗诵诗、诗歌唱、街头诗是此时抗战诗歌具有鲜明特色的诗歌传播方式,这种审美风尚与传播方式适应了战时诗歌大众化的要求。
[Abstract]:This paper is a study of the poetry and movement of Wuhan War of Resistance against Japan in 1938. Through the study of Wuhan Anti-Japanese War poetry in 1938, it can restore the true and rich poetic status quo, show the spiritual state of the people in wartime, and make up for the relatively weak research status quo of the literature history on the anti-Japanese poetry. The research of this paper is carried out from the following five parts. The introduction is a statement of the research status, research significance, the definition of the research content, and the research ideas and methods. The first chapter examines the relationship between Wuhan Anti-Japanese War poetry and wartime situation in 1938. The emphasis of this chapter is to present the background of Wuhan Anti-Japanese War poetry in 1938 and its position in the development of all kinds of literature. From the domestic point of view, Wuhan in 1938 was the wartime capital, economic center, cultural territory and military base camp of the whole country, and from the international point of view, the battle of Wuhan was an important link in the international anti-fascist front. Because of the unique domestic and international situation, the content of wartime poetry changed from "ego" to "masses" in content. Compared with other literary styles of the same period, wartime poetry has the characteristics of emotional agitation, flexible style, short freedom and so on, so it is regarded as an important weapon of propaganda in the War of Resistance against Japan. The second chapter mainly studies the theory of anti-Japanese poetry around 1938. This paper probes into the relationship between the poems of the War of Resistance against Japan and the New Poems of the May 4th Movement, reproduces the arguments of poemists about poetry recitation, new and old forms of poetry, and the popularization of poetry, and probes into the influence of the theory of poetry of the War of Resistance against Japan on the creation and movement of poetry before and after 1938. The third chapter examines the relationship between the anti-Japanese poetry and the masses. This chapter presents the popular characteristics of Wuhan Anti-Japanese War poetry in 1938 according to the three dimensions of poetry writing by different styles of poets, the combination of poetry creation and the different nature of poetry publication. To analyze and interpret the poems of the poets Gao Lan, Ai Qing, Sikkim, Zou Difan, Bai Shu, Qin Zihao, an E, Zang Kejia, Ren Jun, etc. The "Literary Association" reviews the leadership and advocacy of poetry creation and the poetry movement; presents literary and artistic publications such as "May," July, "the War of Resistance against Japan," and so on. The supplements in newspapers and periodicals, such as "Ta Kung Pao" and "Xinhua Daily", "War against Japan", and other newspapers and periodicals, carry poems and gather poets. The achievements made in the development of poetry. The fourth chapter studies the aesthetic style and dissemination of Wuhan Anti-Japanese War poetry in 1938. The styles of Qiu eight, Drum ci, Folk Song, Folk Song, minor tune, Folk Song and so on reflect the popular orientation of the poems of the War of Resistance against Japan at this time; reciting poems, singing poems, and street poems are the distinctive modes of poetry dissemination of the poems of the War of Resistance against Japan at this time. This style of aesthetic style and dissemination adapted to the demand of popularizing wartime poetry.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25

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