施补华诗歌批评理论研究
发布时间：2018-08-03 18:28
【摘要】：施补华是晚清重要诗人、诗论家,历经道光、咸丰、同治、光绪四朝,他与戴望、陆心源等相交甚密,常与张裕钊、吴汝纶往复诗文,然而学界对施补华的关注尚少,他的理论著作《岘佣说诗》作为"晚清诗话中的上乘之作"极具研究价值,其论诗观点多被后人引用。本文以施补华的诗歌批评为研究对象,侧重于对施补华的历代诗歌批评观点进行整理和阐述,进而总结出施补华的诗歌批评观,以期对施补华作较为全面的分析和研究。全文共分为以下几个部分:第一章:施补华生平、交游考述。生平部分,主要依托具体文献考察了施补华的生平经历,勾勒出较为详细的人生轨迹;交游部分,通过施补华与戴望等同郡人,以及与谭献、李慈铭、袁昶几人的交游情况进行分析,依据《泽雅堂诗集》、《泽雅堂诗二集》、《泽雅堂文集》及交游者所著诗文集,找出有关诗文补充说明,从而从交游角度来进一步了解施补华诗学思想形成的影响因素。第二章:施补华的历代诗歌批评。本章根据《岘佣说诗》所涉及到的作家所属朝代,分为汉魏、唐代、宋代三个部分,考察施补华对各个朝代的各体诗作、作家作品的认识和评述。第一节论述了施补华对两汉及魏晋南北朝诗歌的批评,侧重论述施补华对五言诗、七言诗的诗人诗作的批评。第二节论述了施补华对唐代诗歌的批评,主要分为初唐、盛唐和中晚唐三个时间段。着重论述了施补华对盛唐和中晚唐的诗歌批评,其中,施补华大力推崇杜甫,对杜诗成就作了细致的分析论述。第三节论述了施补华对宋代诗歌的批评,较多的评析了苏轼诗歌,其对元明清的诗基本不评,由此可见施补华的诗学倾向。第三章:施补华的诗歌批评论。这一章主要建立在施补华对历代诗人诗歌作品的批评的基础上,分为两个部分,首先,施补华对历代诗歌的批评大体是以朝代为主,以诗体为辅,对历朝历代的诗体都有自己独到的见解,由此可以总结出施补华的诗歌辩体意识。施补华论诗,大体以五言为主,进而推及其他各体,对各种诗体都作了总结评论。其次,论述了施补华的诗歌审美论,其论诗有着自己独到的审美指向,主要总结为:"诗贵含蓄,忌直贵曲"、"诗教为本,得体为上"、"诗贵真情,各具面目"和"刚笔见魄力,柔笔出神韵"四个方面,由此形成施补华的诗学批评观。
[Abstract]:Shi Buhua was an important poet and poet in the late Qing Dynasty. After the four dynasties of Daoguang, Xianfeng, Tongzhi, Guang Xu, he was very close to Dai Wang and Lu Xin-yuan, often with Zhang Yuzhao and Wu Rulun. However, the academic circles paid little attention to Shi Buhua. His theoretical work "Xianhe said Poems" is of great research value as "the best works in the late Qing Dynasty", and his views on poetry are often cited by later generations. This article takes Shi Buhua's poetry criticism as the research object, focusing on sorting out and expounding Shi Buhua's poetic criticism views in the past dynasties, and then summing up Shi Buhua's poetic criticism view, in order to make a more comprehensive analysis and study on Shi Buhua. The full text is divided into the following parts: the first chapter: Shi Bu Hua's life, travel research. In the life part, it mainly relies on the specific documents to investigate Shi Buhua's life experience, and outlines a more detailed life track. In the part of friends, through Shi Buhua and Dai Wang, the same county people, as well as with Tan Xian and Li Tzu Ming, Based on the analysis of the friends of Yuan Chang, according to "Ze Yatang Poems", "Ze Yatang Poems II", "Ze Yatang Literature Collection" and the poems and essays by the acquaintances, we can find out the supplementary explanations of the poems and essays. From the angle of friendship, we can further understand the factors that influence the formation of Shi Bu Hua's poetics. The second chapter: Shi Buhua's poetry criticism in the past dynasties. This chapter is divided into three parts: Han Wei, Tang Dynasty and Song Dynasty. The first section discusses Shi Buhua's criticism of the poems of the Han Dynasty and the Wei, Jin and Northern and Southern dynasties, with emphasis on his criticism of the poems of five characters and seven characters. The second section discusses Shi Buhua's criticism of Tang poetry, which is divided into three periods: the early Tang Dynasty, the prosperous Tang Dynasty and the Middle and late Tang Dynasty. Shi Buhua's poetry criticism to the prosperous and the middle and late Tang Dynasty is emphatically discussed. Among them, Shi Buhua highly admires du Fu, and makes a detailed analysis of du's achievements. The third section discusses Shi Buhua's criticism of Song Dynasty poetry, more comments on Su Shi's poetry, whose poetry is basically not evaluated in Yuan, Ming and Qing dynasties, so it can be seen that Shi Buhua's poetics tendency. Chapter three: Shi Buhua's criticism of poetry. This chapter is mainly based on Shi Benhua's criticism of poets' poetic works in past dynasties, and it is divided into two parts. Firstly, Shi Benhua's criticism of poems of the past dynasties is mainly on the dynasty, supplemented by the poetic style. It has its own unique opinions on the poetic style of successive dynasties, which can sum up Shi Buhua's consciousness of poetic argumentation. Shi Bu Hua's poems, mainly in five characters, and then all other types of poetry are summarized and commented. Secondly, it discusses Shi Buhua's aesthetic theory of poetry, whose poems have their own unique aesthetic direction, which are mainly summarized as follows: "poetry is implicit, not straight and expensive", "poetry teaching is based, appropriate is the top", "poetry is precious and true feelings, each has its features" and "just pen, bold and bold," There are four aspects of the charm of soft pen, thus forming Shi Buhua's view of poetic criticism.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
本文编号：2162599
[Abstract]:Shi Buhua was an important poet and poet in the late Qing Dynasty. After the four dynasties of Daoguang, Xianfeng, Tongzhi, Guang Xu, he was very close to Dai Wang and Lu Xin-yuan, often with Zhang Yuzhao and Wu Rulun. However, the academic circles paid little attention to Shi Buhua. His theoretical work "Xianhe said Poems" is of great research value as "the best works in the late Qing Dynasty", and his views on poetry are often cited by later generations. This article takes Shi Buhua's poetry criticism as the research object, focusing on sorting out and expounding Shi Buhua's poetic criticism views in the past dynasties, and then summing up Shi Buhua's poetic criticism view, in order to make a more comprehensive analysis and study on Shi Buhua. The full text is divided into the following parts: the first chapter: Shi Bu Hua's life, travel research. In the life part, it mainly relies on the specific documents to investigate Shi Buhua's life experience, and outlines a more detailed life track. In the part of friends, through Shi Buhua and Dai Wang, the same county people, as well as with Tan Xian and Li Tzu Ming, Based on the analysis of the friends of Yuan Chang, according to "Ze Yatang Poems", "Ze Yatang Poems II", "Ze Yatang Literature Collection" and the poems and essays by the acquaintances, we can find out the supplementary explanations of the poems and essays. From the angle of friendship, we can further understand the factors that influence the formation of Shi Bu Hua's poetics. The second chapter: Shi Buhua's poetry criticism in the past dynasties. This chapter is divided into three parts: Han Wei, Tang Dynasty and Song Dynasty. The first section discusses Shi Buhua's criticism of the poems of the Han Dynasty and the Wei, Jin and Northern and Southern dynasties, with emphasis on his criticism of the poems of five characters and seven characters. The second section discusses Shi Buhua's criticism of Tang poetry, which is divided into three periods: the early Tang Dynasty, the prosperous Tang Dynasty and the Middle and late Tang Dynasty. Shi Buhua's poetry criticism to the prosperous and the middle and late Tang Dynasty is emphatically discussed. Among them, Shi Buhua highly admires du Fu, and makes a detailed analysis of du's achievements. The third section discusses Shi Buhua's criticism of Song Dynasty poetry, more comments on Su Shi's poetry, whose poetry is basically not evaluated in Yuan, Ming and Qing dynasties, so it can be seen that Shi Buhua's poetics tendency. Chapter three: Shi Buhua's criticism of poetry. This chapter is mainly based on Shi Benhua's criticism of poets' poetic works in past dynasties, and it is divided into two parts. Firstly, Shi Benhua's criticism of poems of the past dynasties is mainly on the dynasty, supplemented by the poetic style. It has its own unique opinions on the poetic style of successive dynasties, which can sum up Shi Buhua's consciousness of poetic argumentation. Shi Bu Hua's poems, mainly in five characters, and then all other types of poetry are summarized and commented. Secondly, it discusses Shi Buhua's aesthetic theory of poetry, whose poems have their own unique aesthetic direction, which are mainly summarized as follows: "poetry is implicit, not straight and expensive", "poetry teaching is based, appropriate is the top", "poetry is precious and true feelings, each has its features" and "just pen, bold and bold," There are four aspects of the charm of soft pen, thus forming Shi Buhua's view of poetic criticism.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
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相关期刊论文 前2条
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2 王锡九;;唐代七言古诗简论[J];扬州师院学报(社会科学版);1991年01期
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