辨体对立角色与破体开拓意义——欧阳修的文体学思想探微

发布时间：2018-08-19 09:32

【摘要】：欧阳修的文体学思想是其文学思想的重要组成部分,与其书法文艺理论亦相通交融。大体包括如下几个方面:首先,辨体尊体论。欧阳修在宋人"先体制而后工拙"这一辨体思潮中处于对立角色,具有重要的理论地位。与此矛盾的是,许多批评家认为欧阳修的创作是符合"先见文字体式"这一尊体理论的,显示出合体得体现象;其次,破体变体观。虽然欧阳修在破体论中总的来说是提倡变体多于尊体,但也还是以破中有辨和变中有正的辨体通变观为主要特征,即"变而不失其正"。复次,他引领时代风气的文学革新运动从某种意义上来说就是文体上的变革创新,具体包括以文为诗、以诗为词、以文为赋、以文体为四六以及其他文体的变格变体等。此外,还包括"兼备众体和偏长某体""不喜杜诗和诗体特异"以及"风格不同和文如其人"等文体学理论,极为丰富,在宋代文体学乃至中国古代辨体理论批评史上都具有举足轻重的历史地位。
[Abstract]:Ouyang Xiu's stylistic thought is an important part of his literary thought. It includes the following aspects: first of all, the theory of respecting the body and respecting the body. Ouyang Xiu is in the opposite role in the thought of "first system and then clumsy", and has an important theoretical position. Paradoxically, many critics think that Ouyang Xiu's creation is in line with the theory of "presbyopia", which shows the phenomenon of appropriateness. Secondly, the concept of "broken form" is a variant. Although Ouyang Xiu generally advocates variation more than respect in the theory of broken body, it is still characterized by the view that there is differentiation in breaking and positive in changing, that is, "change without losing its positivity". In a sense, the literary innovation movement in which he led the trend of the times is the innovation of style, which includes taking text as a poem, poetry as a word, text as an Fu, style as a variant of four or six and other styles, and so on. In addition, there are some stylistic theories, such as "having both a common style and a long body", "not liking the special style of du poetry and poetry" and "different styles and styles as people", which are extremely rich. It plays an important role in the history of stylistics in Song Dynasty and even in the history of ancient Chinese dialectical theory criticism.
【作者单位】：陕西师范大学文学院;
【基金】：国家社科基金规划项目“宋代文体学思想研究”(11BZW021);国家社科基金重大招标项目“中外史记文学研究资料整理与研究”(13&ZD111) 中国社会科学院创新工程重大项目“中华思想通史·文艺思想编”的阶段性成果
【分类号】：I206.2

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