异态时空的光与影——日本占领区的文学生态与战争叙事

发布时间：2018-08-19 11:06

【摘要】：19世纪末至20世纪中叶日本武装侵略中国,这不仅改变了中国的政治、经济格局,同时也改变了日本占领区的文学生态。首先是日本入侵者和合作政府强权干预文学艺术创作,改变了原有的自由生长、自由淘汰的文学生态;其次是作家流动带来了文学生态的改变,逐渐形成了台湾文学、伪满洲国文学、沦陷华北文学、孤岛上海和沦陷上海、香港文学等各具特色的区域文学。在日本占领区,强权干预文艺和多种多样的文化流动与文化混合,开启了多重面向的战争书写。其中,关注殖民、战乱中的精神变异,如袁犀的《一个人的一生》;展演沦陷战场的日常生活与情感,如张爱玲的《封锁》;身陷战乱中的民间血泪,如话剧《秋海棠》。日本占领区的文学生态铸就了不同于国民政府辖区和共产党领导的抗日民主根据地的战争叙事模式,这些作品以多种多样的方式指涉战争,既丰富了战时文学样态,也是对日本占领区日伪提倡的一元宣传文学的反抗,同时为理解战争与文学、复数战争文学、东亚殖民主义与文学的复杂关系提供了新的方向。
[Abstract]:From the end of the 19th century to the middle of the 20th century, Japan's armed aggression against China not only changed China's political and economic pattern, but also changed the literary ecology of the Japanese occupied areas. It has brought about changes in the literary ecology and gradually formed regional literature with distinctive features such as Taiwan literature, pseudo-Manchukuo literature, occupied North China literature, isolated island sea, occupied Shanghai and Hong Kong literature. Notes on the spiritual variations in the war, such as Yuan Xi's Life of a Man, the performance of daily life and emotions in the enemy-occupied battlefield, such as Zhang Ailing's Blockade, and the folk blood and tears in the war, such as the drama Begonia. The literary ecology of the Japanese-occupied areas has created a new anti-Japanese Democratic base area which is different from the areas under the jurisdiction of the Kuomintang Government and the Communist Party's leadership. The narrative mode of war, in various ways, refers to war, which not only enriches the literary form in wartime, but also protests against the unitary propaganda literature advocated by the Japanese puppet regime in the Japanese occupied areas, and provides a new direction for understanding the complex relationship between war and literature, plural war literature, East Asian colonialism and literature.
【作者单位】：华东师范大学中文系;
【基金】：国家社会科学基金重大项目(16ZDA185) 上海市浦江人才计划项目(15PJC029)
【分类号】：I206.6

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