论晋美丹曲嘉措诗歌
发布时间：2018-08-28 09:52
【摘要】：藏族古典文学作为我国传统文学中一颗璀璨的明珠,自赞布时期至二十世纪初的历史发展的长河之中,不断吸收和融汇了印度文学与中原文学等的精髓,海纳百川,使其成为了一种在青藏高原独树一帜的文化现象。在藏传佛教的后弘期,藏族文学的发展可谓是百家争鸣、百花齐放,作为藏族文化腹地之一的东部青海等地也涌现出了众多学富五车的智者。这其中文殊上师永藏洛桑华丹及其众弟子的不断研究、修持与发扬,将藏族古典文学再一次推向了顶峰,也为藏族文学的传承和 ·发扬作出了卓越的贡献。晋美丹曲嘉措是永藏洛桑华丹大师的弟子之一,是一位集各派智慧于一身,慧根深渊,志勇无双的集大成者。尊者在他二十六岁时,撰写了《晋美智慧无畏狮吼辩书》一书,该书在当时撼动了藏传佛教界各大智者,创造了万人崇辩的盛况,同时也让尊者声名远扬。在四十六岁时,尊者撰写了《辩了不了议论明释嘉言心要一切义辩别论嘉言心要之门经》一书,登上了藏传佛教界的无畏宝座,被众多佛学界的智者视为学习宗喀巴大师诸多要义之钥。像《赞颂集》和《书函》等尊者所撰写的典籍之中也汇集了藏族传统文化中的辞藻、古词、经籍等,成为了藏族古典文学中的一朵绚丽夺目的瑰宝。时至今日,对尊者著作的研究者翎毛凤角,对其著作的文体、形式、格律、素材和内容等方面的研究更是处于空白之中。笔者虽学识浅薄,但怀着对大师敬仰的一颗赤诚之心,同时为了珍惜研究生短暂而紧迫的三年时光,在恩师的指导与查阅典籍、走访历史古迹的基础上,试论尊者的《赞颂集》与《书函集》两部经典的独特的文学风格及内涵。望能够对藏族古典文学的传承、发扬做出一丝自己力所能及的贡献。鉴于此,笔者将本论文的结构共分为五个章节。在第一章中,笔者主要论述了晋美丹曲嘉措大师所处的历史背景与生平事迹、钻研佛学的人生信条以及其生活遗迹的现状,对本论文的后续写作做了铺垫;第二章主要论述了晋美丹曲嘉措大师的《赞颂集》、《书函集》要义,同时试着了解历史情境下的学者的历史观、价值观以及对后世的教诲;第三章部分是对大师著作文体的多样化的词组、修辞手法的写作形式进行了简易论述。第四章,主要是对大师著的华丽的辞藻、深奥的内涵与奇美一聚的文学风格和形成缘由进行了论述。最后一章论述了尊者作品对当代藏族文学产生的影响。
[Abstract]:As a bright pearl in Chinese traditional literature, Tibetan classical literature has continuously absorbed and merged the essence of Indian literature and Central Plains literature from the Zambo period to the beginning of the 20th century. It has become a unique cultural phenomenon in the Qinghai-Tibet Plateau. In the later period of Tibetan Buddhism, the development of Tibetan literature can be described as a hundred schools of thought contend, a hundred flowers bloom, as one of the hinterland of Tibetan culture in the eastern Qinghai and other places have emerged a number of rich and five-cart wise men. The continuous study, practice and development of Lobsang and his disciples on Manjusri once again pushed Tibetan classical literature to the top, and also made outstanding contributions to the inheritance and development of Tibetan literature. Jin Mei Dan qu Jia Cuo is one of the disciples of Master Lobsang Huatan Yongzang. He is a master who gathers wisdom from all factions, wisdom rooted in the abyss, and unparalleled ambition. When he was 26 years old, the Venerable wrote the book, "Jin Beauty, Wisdom, fearless Lion," which shook the great wisdom of the Tibetan Buddhist world, created the reputation of thousands of people, and made the Venerable Man famous at the same time. At the age of 46, the Venerable wrote the book, "cannot argue, explain, exhort, want all righteousness, debate, and the door to praise," and ascended the fearless throne of Tibetan Buddhism. It is regarded by many Buddhist scholars as the key to learning the essentials of Master Zongkaba. Among the books written by the Venerable, such as the Book of praise and the Book of Letters, are the rhetoric, ancient words and classics of the Tibetan traditional culture, which have become a splendid treasure in the Tibetan classical literature. To this day, the research on the style, form, rhythm, material and content of his works is still blank. Although the author has a shallow knowledge, but with a sincere heart of admiration for the master, and in order to cherish the short and urgent three years of graduate students, on the basis of the guidance and reference of the teachers, visiting historical sites, On the unique literary style and connotation of the Venerable works of praise and the Book of Letters. Hope to be able to pass on the Tibetan classical literature, carry forward to make a bit of their own contribution. In view of this, the author divides the structure of this paper into five chapters. In the first chapter, the author mainly discusses the historical background and life story of Master Jin Mei Dan qu Jiatuo, studies the life creed of Buddhism and the present situation of its living relics, and paves the way for the follow-up writing of this paper. The second chapter mainly discusses Master Jin Mei Dan qu Jia Cuo's "praise Collection", "Book letter Collection" main meaning, at the same time tries to understand the historical view, values and later generations of scholars in the historical context; In the third chapter, the author makes a brief exposition of the various phrases and rhetorical forms of the master's works. The fourth chapter mainly discusses the magnificent rhetoric of the master's works, the profound connotation and the literary style of Qimei Yi Ju and the reasons for its formation. The last chapter discusses the influence of the Venerable works on the contemporary Tibetan literature.
【学位授予单位】：青海民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.2
本文编号：2209037
[Abstract]:As a bright pearl in Chinese traditional literature, Tibetan classical literature has continuously absorbed and merged the essence of Indian literature and Central Plains literature from the Zambo period to the beginning of the 20th century. It has become a unique cultural phenomenon in the Qinghai-Tibet Plateau. In the later period of Tibetan Buddhism, the development of Tibetan literature can be described as a hundred schools of thought contend, a hundred flowers bloom, as one of the hinterland of Tibetan culture in the eastern Qinghai and other places have emerged a number of rich and five-cart wise men. The continuous study, practice and development of Lobsang and his disciples on Manjusri once again pushed Tibetan classical literature to the top, and also made outstanding contributions to the inheritance and development of Tibetan literature. Jin Mei Dan qu Jia Cuo is one of the disciples of Master Lobsang Huatan Yongzang. He is a master who gathers wisdom from all factions, wisdom rooted in the abyss, and unparalleled ambition. When he was 26 years old, the Venerable wrote the book, "Jin Beauty, Wisdom, fearless Lion," which shook the great wisdom of the Tibetan Buddhist world, created the reputation of thousands of people, and made the Venerable Man famous at the same time. At the age of 46, the Venerable wrote the book, "cannot argue, explain, exhort, want all righteousness, debate, and the door to praise," and ascended the fearless throne of Tibetan Buddhism. It is regarded by many Buddhist scholars as the key to learning the essentials of Master Zongkaba. Among the books written by the Venerable, such as the Book of praise and the Book of Letters, are the rhetoric, ancient words and classics of the Tibetan traditional culture, which have become a splendid treasure in the Tibetan classical literature. To this day, the research on the style, form, rhythm, material and content of his works is still blank. Although the author has a shallow knowledge, but with a sincere heart of admiration for the master, and in order to cherish the short and urgent three years of graduate students, on the basis of the guidance and reference of the teachers, visiting historical sites, On the unique literary style and connotation of the Venerable works of praise and the Book of Letters. Hope to be able to pass on the Tibetan classical literature, carry forward to make a bit of their own contribution. In view of this, the author divides the structure of this paper into five chapters. In the first chapter, the author mainly discusses the historical background and life story of Master Jin Mei Dan qu Jiatuo, studies the life creed of Buddhism and the present situation of its living relics, and paves the way for the follow-up writing of this paper. The second chapter mainly discusses Master Jin Mei Dan qu Jia Cuo's "praise Collection", "Book letter Collection" main meaning, at the same time tries to understand the historical view, values and later generations of scholars in the historical context; In the third chapter, the author makes a brief exposition of the various phrases and rhetorical forms of the master's works. The fourth chapter mainly discusses the magnificent rhetoric of the master's works, the profound connotation and the literary style of Qimei Yi Ju and the reasons for its formation. The last chapter discusses the influence of the Venerable works on the contemporary Tibetan literature.
【学位授予单位】：青海民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.2
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