苏童小说的电影改编研究

发布时间：2018-09-03 16:59

【摘要】：从苏童小说目前的改编情况来看,由其小说改编而成的电影作品无论是数量还是质量在先锋作家乃至整个当代作家中都较为突出。对于这种并不常见的现象,笔者通过对其小说的文本细读,发现苏童小说与电影艺术之间存在着明显的同构关系。换言之,苏童小说具有鲜明的电影化特征。笔者认为这也正是其小说得以频繁进入电影改编视野并被成功改编的重要前提。尽管如此,小说和电影作为两种使用不同媒介,有着两种不同“看”的方式的不同艺术,所以在后者对前者的改编过程中必然伴随着多方面的变化。同时,改编作为小说与电影两种艺术间的互介活动,尊重原著精神与保持自身独立性是相互统一的。因此,对电影艺术自身特殊性的研究同样不能被忽视。故,本文以苏童被改编为电影的八部小说及其相应的七部电影作品为研究对象,分别从改编前提、改编过程和改编作品三个方面展开研究。首先,本文立足于对苏童这八部小说的文本细读,分别从叙事内容的故事性、叙事结构的跳跃性和叙事手法的镜头化三个角度分析其小说的电影化特征,即从文学内部研究分析苏童文本自身所具备的改编条件。其次,本文将小说与电影进行对比研究,分别从叙事主题、人物塑造和情节结构三个方面阐释小说叙事向电影叙事的“转译”过程中所发生的变化,从而反向建构其小说到电影的改编过程。最后,本文从电影本体论出发,以改编自苏童小说的七部电影作品为对象,分别从流畅有序的影像语法和异彩纷呈的影像修辞两个方面切入对其风格各异、多彩多样的视听语言的分析。回眸历史,苏童绝不是第一个“触电”的作家;放眼当下,苏童也绝不会是最后一个与电影“亲密接触”的作家。那么,文学与影视、作家与导演如此频繁而近距离的接触是互惠互利的“双赢”还是弊大于利的“互损”?苏童小说的电影改编活动不仅对此做出了肯定性的回答,而且进行了一次较为成功的示范。
[Abstract]:Judging from the current adaptation of Su Tong's novels, the number and quality of films adapted from his novels are prominent among the pioneer writers and even the contemporary writers as a whole. For this unusual phenomenon, the author finds that there is an obvious isomorphism between Su Tong's novels and film art by reading the texts of his novels. In other words, Su Tong's novels have distinctive film features. The author thinks that this is the important premise for his novels to frequently enter the field of film adaptation and be adapted successfully. Nevertheless, novels and movies, as two different media, have two different ways of "watching" different arts, so in the latter adaptation process of the former must be accompanied by various changes. At the same time, adaptation, as a mutual activity between novel and film, respects the spirit of the original work and maintains its own independence. Therefore, the study of the particularity of film art itself can not be ignored. Therefore, this article takes eight novels and seven corresponding works of film adapted by Su Tong as the research object, respectively from three aspects of the adaptation premise, the adaptation process and the adaptation works. First of all, based on the detailed reading of Su Tong's eight novels, this paper analyzes the film features of Su Tong's novels from three angles: the narrative content, the jumping of the narrative structure and the lens of the narrative techniques. Namely, from the literature internal research and analysis Su Tong's text itself has the adaptation condition. Secondly, this paper makes a comparative study of the novel and the film, respectively, from three aspects of narrative theme, character shaping and plot structure, to explain the changes that have taken place in the process of "translation" from novel narration to film narrative. In order to reverse the construction of its novel to the film adaptation process. Finally, from the perspective of film ontology, this paper takes seven film works adapted from Su Tong's novels as the objects, respectively from the aspects of smooth and orderly image grammar and colorful image rhetoric. Analysis of colorful and diverse audiovisual languages. Looking back at history, Su Tong is by no means the first writer to be "shocked". At the moment, Su Tong will never be the last writer to be in close touch with the film. So, literature, film and television, writers and directors of such frequent and close contact is mutually beneficial "win-win" or the harm more than good "damage"? Su Tong's film adaptation not only gave a positive answer, but also made a more successful demonstration.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42;J905

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