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论毕飞宇小说的错位叙事

发布时间:2018-09-08 11:51
【摘要】:毕飞宇的小说存在一种"错位叙事",它使小说文本的内部要素偏离正常状态或应有位置,涉及了小说从创作到阅读过程中的各个主体。从故事层来说,小说的错位叙述主要围绕着"人物设置的错位"和"情境设置的错位"两个方面进行,呈现了小说文本表层的各种处于非正常状态下的角色、关系和情境。而从叙述层来说,毕飞宇通过设置"边缘化的叙述视角"、"有意味的叙述时间"、"多重式的叙述结构"等叙述技巧,拉开叙述距离,试图在真实世界和文本世界架起沟通的桥梁。透过对小说文本内部因素的分析,可以发现错位叙事的形成与"权力压迫下的主体选择"、"距离控制下的主体关系"等两个因素有着重要的联系。在毕飞宇设置的错位叙事下,他的小说呈现出了"日常之于荒诞"、"破碎之于疼痛"、"具象之于虚幻"等三个方面的美学风格。本文采用文本细读法和文献分析法,以错位叙事作为研究毕飞宇小说的切入口,展示了毕飞宇试图关照和批判世界的努力,也是对毕飞宇小说的一次新的发现和阐释。
[Abstract]:Bi Feiyu's novels have a kind of "dislocation narration", which makes the internal elements of the novel text deviate from the normal state or its proper position, involving the main body of the novel from creation to reading. From the narrative level, Bi Feiyu tries to bridge the real world and the text world by setting up narrative skills such as "marginalized narrative perspective", "meaningful narrative time", "multiple narrative structure". Through the analysis of the internal factors of the novel, we can find that the formation of the dislocation narrative is closely related to the "subject choice under the oppression of power" and the "subject relationship under the control of distance". This paper uses the text close reading method and the literature analysis method to study Bi Feiyu's novels through the dislocation narrative. It shows Bi Feiyu's efforts to care for and criticize the world, and it is also a new discovery and interpretation of Bi Feiyu's novels.
【学位授予单位】:浙江大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:I207.42

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1 汤玲;批判中的脉脉温情——毕飞宇小说论汤玲[J];当代文坛;2005年03期

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本文编号:2230435


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