宗喀巴大师诗作研究
发布时间：2018-09-11 18:14
【摘要】：众所周知,宗喀巴大师的诗作堪称藏族古典文学之典范,其诗词雄浑天然,意境高远，，字字珠玑,量体适裁,没一句缺憾,也没有一句累赘,诚至如斯!宗喀巴大师对古典诗体情有独钟,她的叙述与情感都有特有的趣味和欣赏价值,《常啼菩萨传》和《赞颂妙音天女》、《无量寿佛的颂词》等诗作在藏族传统诗歌的续承和发展上迈出了重要一步。宗喀巴诗作中所营造的意境和描述细腻,表现手法都注重形象和象征,以丰富的喻体来衬托心底的情结,时光的流逝,生命的运转,面对现实苦难,空灵慈悲的追求,寻求清静、安乐、平和的佛家禅境其情操、意境实在令人惊叹。尤其是他对《诗镜》修辞法融会贯通的运用将藏族古典文学推向了一个鼎盛时期,同时,宗喀巴大师的诗作风格对藏族后世的文学起了很大的影响。从藏族文学史上可以看出,从私人书信到历史典籍都凭借其规整的韵体散发着浓浓的诗意,宗喀巴的诗作风格在作品中的表现形式借由语言的特殊表现形态，一部分被表现者的心理特征所决定,一部分则被表现的内容和意境所决定。每一类诗风既有共性特点,又有细腻的个性特点这一客观存在,通过分析、把握宗喀巴诗作的创作风格,从藏族文学风格的演变入手,对其诗歌风格的形成特点和背景、因素作较深入的分析研究。谈诗歌的前提条件是首先要具备良好的文学素养,这篇论文对宗喀巴大师的诗作从广义和狭义两个方面进行分析,按这样的内涵为中心对宗喀巴大师的诗作做批判研究。宗喀巴大师的诗作在藏族古典诗中具有特殊性、代表性、具体性和高度、深度、细节等文艺色彩,因此对探索藏族古典诗的文艺风格有借鉴意义。论文围绕宗喀巴大师文学代表作《宗喀巴作品拾零》为例,其作品在颂词、赞颂、祈祷、教义、答复、传记、书信、祝词、体会等论述了一百三十左右为中心诗作。正文从三个方面探讨；绪言部分简要归纳了藏族历代诗歌的一般发展规律及其艺术特色。第一章主要分析了宗喀巴诗作的总体特点和审美意境；第二章论述了宗喀巴诗作在古今藏族文学中的重要地位；第三章对宗喀巴诗作进行了注释和评论,从藏族古典诗歌的发展历史过程着手,运用语言学,诗学、修辞学、韵律学、美学以及人类学等诸多学科的理论方法进行了比较全面细致的分析和圈点。风格是是诗歌赖以存在的形式载体,是文学理论和美学理论的重要研究对象,也是作家作品研究的切入点之一。研究一批优秀作家的文学风格和特点能较透彻地了解该民族特定阶段诗歌发展的高度。因为文学风格是一个民族的诗学从模仿的幼稚阶段,摆脱了教条主义模式的僵硬束缚,从而趋向成熟的标志。本文第二章就对佛教诗歌的文学风格和特点进行了较细致的分析研究,旨在透视佛教诗歌的艺术内涵,即基本特点。以立宗持戒为己任的宗喀巴大师,其诗歌内涵或内容更多地观照佛家旨趣,直到今天,”藏传佛学”依然是藏学的核心部分,再说古典文学的核心也依然是以《诗境》为理论的叙述佛教教义的诗作,因此我们要认识古典文学就一定要对藏传佛学有所了解。文学批评是文学活动的一个重要组成部分,是以文学作品为中心的研究规律和演变的一门科学。本文用较长的篇幅对宗喀巴诗作的前后社会历史背景进行分析,并对时空格局进行了综合分析。通过宗喀巴诗作研究进而梳理藏族传统古典文学的历史脉络。宗喀巴大师的诗作在藏族古典文学史上具有里程碑式的意义,但是我们运用当代文学理论和唯物辩证法来看,他的诗作有内容单一和结构繁复等的不足。另外我们通过宗喀巴诗作研究为中心而认识古今藏族诗歌渊源思潮和格局、发展方向等具有很大的作用,进而用来比较和认识其他民族的文艺手法也有很大帮助。
[Abstract]:As we all know, Master Zongkaba's poems are the model of Tibetan classical literature. Her poems are powerful and natural, artistic conception is far-reaching, words are beaded, and the style is suitable. There is no defect, nor is there any cumbersome. Sincerely, Master Zongkaba has a special fondness for the style of classical poetry. Her narrative and emotions are of special interest and appreciation value. The poems such as Chuan > and Praise the Wonderful Sound of Heaven Lady and Ode to the Infinite Longevity Buddha have taken an important step in the continuation and development of Tibetan traditional poetry. It is amazing to see the real misery, the unrestrained and compassionate pursuit, the pursuit of quiet, peaceful and peaceful Buddhist Zen and its mood. Especially his application of the rhetoric of Poetry Mirror has pushed Tibetan classical literature to its heyday. Meanwhile, the poetry style of Master Zongkaba has exerted a great influence on Tibetan literature of later generations. It can be seen in the history of clan literature that from private letters to historical books, the regular rhythm of Tsongkaba's poems exudes a strong poetic flavor. The form of expression in his works is determined by the special form of language, part by the psychological characteristics of the performers, part by the content and artistic conception of the performances. Poetry style has both common characteristics and delicate individuality, which is an objective existence. Through the analysis, the author grasps the writing style of Zongkaba's poems, proceeds with the evolution of Tibetan literary style, and makes a deeper analysis and Study on the formation characteristics, background and factors of his poetic style. This paper analyzes Master Zongkaba's poems in broad and narrow sense, and makes a critical study of Master Zongkaba's poems in light of this connotation. Master Zongkaba's poems have the characteristics of particularity, representativeness, concreteness, height, depth and detail in Tibetan classical poems. Therefore, it explores Tibetan classical poems. The main body of this paper is a brief introduction to the Tibetan poetry of the past dynasties. The first chapter mainly analyzes the general characteristics and aesthetic conception of Zongkaba's poems; the second chapter discusses the important position of Zongkaba's poems in ancient and modern Tibetan literature; the third chapter annotates and comments on Zongkaba's poems, starting from the historical development process of Tibetan classical poetry, using Linguistics, poetics, rhetoric, prosody, aesthetics, anthropology and many other disciplines of the theoretical method of a more comprehensive and detailed analysis and circle. Style is the existence of poetry in the form of carrier, is an important research object of literary theory and aesthetic theory, but also one of the breakthrough points in the study of writers'works. Literary style and characteristics can thoroughly understand the height of the development of the poetry in a particular stage of the nation.Literary style is a symbol of the maturity of a nation's poetics from the childish stage of imitation to the rigid bondage of dogmatism.In the second chapter of this paper, the literary style and characteristics of Buddhist poetry are discussed in detail. The purpose of this study is to reveal the artistic connotation of Buddhist poetry, i.e. its basic characteristics. The connotation or content of Tsongkaba's poetry, which is dedicated to establishing Buddhism and admonishing Buddhism, is more concerned with the purport of Buddhism. To this day, "Tibetan Buddhism" is still the core of Tibetan studies, and the core of classical literature is still the narration of "poetic conception". Literary criticism is an important part of literary activities and a science of research law and evolution centered on literary works. This paper divides the social and historical background of Zongkaba's poems with a longer space. Through the study of Tsongkaba's poems, the historical context of Tibetan traditional classical literature is sorted out. Master Tsongkaba's poems are of milestone significance in the history of Tibetan classical literature, but we use contemporary literary theory and materialist dialectics to see that his poems have a single content and structure. In addition, through the study of Zongkaba's poems, we can understand the origin, pattern and development direction of ancient and modern Tibetan poetry, which is of great help to compare and understand the literary techniques of other nationalities.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.2
本文编号：2237477
[Abstract]:As we all know, Master Zongkaba's poems are the model of Tibetan classical literature. Her poems are powerful and natural, artistic conception is far-reaching, words are beaded, and the style is suitable. There is no defect, nor is there any cumbersome. Sincerely, Master Zongkaba has a special fondness for the style of classical poetry. Her narrative and emotions are of special interest and appreciation value. The poems such as Chuan > and Praise the Wonderful Sound of Heaven Lady and Ode to the Infinite Longevity Buddha have taken an important step in the continuation and development of Tibetan traditional poetry. It is amazing to see the real misery, the unrestrained and compassionate pursuit, the pursuit of quiet, peaceful and peaceful Buddhist Zen and its mood. Especially his application of the rhetoric of Poetry Mirror has pushed Tibetan classical literature to its heyday. Meanwhile, the poetry style of Master Zongkaba has exerted a great influence on Tibetan literature of later generations. It can be seen in the history of clan literature that from private letters to historical books, the regular rhythm of Tsongkaba's poems exudes a strong poetic flavor. The form of expression in his works is determined by the special form of language, part by the psychological characteristics of the performers, part by the content and artistic conception of the performances. Poetry style has both common characteristics and delicate individuality, which is an objective existence. Through the analysis, the author grasps the writing style of Zongkaba's poems, proceeds with the evolution of Tibetan literary style, and makes a deeper analysis and Study on the formation characteristics, background and factors of his poetic style. This paper analyzes Master Zongkaba's poems in broad and narrow sense, and makes a critical study of Master Zongkaba's poems in light of this connotation. Master Zongkaba's poems have the characteristics of particularity, representativeness, concreteness, height, depth and detail in Tibetan classical poems. Therefore, it explores Tibetan classical poems. The main body of this paper is a brief introduction to the Tibetan poetry of the past dynasties. The first chapter mainly analyzes the general characteristics and aesthetic conception of Zongkaba's poems; the second chapter discusses the important position of Zongkaba's poems in ancient and modern Tibetan literature; the third chapter annotates and comments on Zongkaba's poems, starting from the historical development process of Tibetan classical poetry, using Linguistics, poetics, rhetoric, prosody, aesthetics, anthropology and many other disciplines of the theoretical method of a more comprehensive and detailed analysis and circle. Style is the existence of poetry in the form of carrier, is an important research object of literary theory and aesthetic theory, but also one of the breakthrough points in the study of writers'works. Literary style and characteristics can thoroughly understand the height of the development of the poetry in a particular stage of the nation.Literary style is a symbol of the maturity of a nation's poetics from the childish stage of imitation to the rigid bondage of dogmatism.In the second chapter of this paper, the literary style and characteristics of Buddhist poetry are discussed in detail. The purpose of this study is to reveal the artistic connotation of Buddhist poetry, i.e. its basic characteristics. The connotation or content of Tsongkaba's poetry, which is dedicated to establishing Buddhism and admonishing Buddhism, is more concerned with the purport of Buddhism. To this day, "Tibetan Buddhism" is still the core of Tibetan studies, and the core of classical literature is still the narration of "poetic conception". Literary criticism is an important part of literary activities and a science of research law and evolution centered on literary works. This paper divides the social and historical background of Zongkaba's poems with a longer space. Through the study of Tsongkaba's poems, the historical context of Tibetan traditional classical literature is sorted out. Master Tsongkaba's poems are of milestone significance in the history of Tibetan classical literature, but we use contemporary literary theory and materialist dialectics to see that his poems have a single content and structure. In addition, through the study of Zongkaba's poems, we can understand the origin, pattern and development direction of ancient and modern Tibetan poetry, which is of great help to compare and understand the literary techniques of other nationalities.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.2
本文编号：2237477
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