“滔滔不绝”的俗世喧嚣——莫言小说论兼及“乡土”叙事姿态的文学史考察

发布时间：2018-10-12 12:37

【摘要】：莫言在处理小说和世界的关系时,找到了一条独特的路径:感觉化和高密东北乡是他的写作出发点;复调、多维、以人物立场为中心而拒绝鲜明的价值评判是他偏爱的发声方式。面对藏污纳垢的世界,莫言选择了用掺杂着幽默、狂笑、悲悯等种种情感的狂言乱语来解释,以"众声喧哗"的多义多解来呈现,以来自人性深处的欲望和迷恋来诉说。因此,莫言小说语言的滔滔不绝与俗世的闹腾间产生了超乎寻常的形式意味,在小说的喧闹中,有了一个善良、邪恶、爱、恨、悲、喜杂糅的世界。这种方式正是在一个浮躁而又无法安稳的现实社会背景下,莫言从感觉出发,以小说的形式给了当代中国一个展示的舞台。这种展示,也使得莫言的小说,在面对中国乡土的种种恶与困顿时,建构了一种新的站立于中国老百姓的生存状态中的书写立场。
[Abstract]:In dealing with the relationship between the novel and the world, Mo Yan found a unique path: sensationalization and Gaomi Northeast Township are his starting point of writing; It is his preferred way to voice his voice by taking the stand of the characters as the center and refusing to judge the value clearly. In the face of the dirty world, Mo Yan chose to use the mania of humor, laughter, compassion and other emotions to explain it, to present it with the polysemy of "the noise of the crowd", and to express it with the desire and infatuation from the depths of human nature. Therefore, the incessant flow of Mo Yan's novel language and the interlude of the earthly world have produced extraordinary formal meanings. In the bustle of the novel, there is a world of kindness, evil, love, hate, sadness, and juxtaposition. Under the background of a fickle and unstable society, Mo Yan gave contemporary China a stage of display in the form of novel from the point of view of feeling. This kind of display also makes Mo Yan's novels construct a new writing stand standing in the living state of Chinese people in the face of all kinds of evil and difficulties in China's native land.
【作者单位】：浙江师范大学行知学院;
【分类号】：I207.42

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