论《芥子园画传》的文学意蕴
发布时间：2018-10-25 07:29
【摘要】：《芥子园画传》是中国美术史上一部权威性的绘画百科全书,但一直以来,学界对其关注点多集中在其作为画学入门教材的意义和价值上,几乎没有对《芥子园画传》文学性的专文研究。事实上,《芥子园画传》的主要编刊者沈心友和王概三兄弟等人对《芥子园画传》的文学性有着较为明确的追求。本文试图系统地对《芥子园画传》中的文学形式进行具体分析,以期对《芥子园画传》的文学意蕴进行深层次的较为全面的探讨。全文共分为四个章节。第一章“《芥子园画传》的文学追求”。本章主要明确《芥子园画传》编刊者沈心友、王概等人自身具备较高的文学素养并将之自觉地融入到了《芥子园画传》的编刊中,重视并追求《芥子园画传》的文学性,《芥子园画传》从名称到内容都有着深厚的文学渊源。第二章“《芥子园画传》文字的文学形式”。本章试图从《芥子园画传》丰富的序跋和题辞、散文体画论、诗歌体画论和评点体画论入手,细究其中的文学内涵。《芥子园画传》多样的文学形式都显示出了浓厚的文学意蕴,在文学性表达和技术性要求的调适中甚至出现了重视文学性而削弱技术性表达的情况,这也是编刊者对《芥子园画传》文学性追求的匠心所致。第三章“《芥子园画传》的配画诗”。本章着重对《芥子园画传》中的配画诗进行了分析。先简要明确了配画诗的来源,再从配画诗的情感意蕴和艺术阐释入手具体分析。配画诗的情感态度主要有入画之想、卧游之乐、闲适之趣和隐居之思,《画传》在艺术上追求着配画诗与画作的和谐,利用诗作的想象、象征、通感和诗书画印意蕴的融合等多种审美路径,达到对《芥子园画作》文学性与美学性的结合,由此体现编刊者对《芥子园画传》的文学性追求,彰显《画传》深厚的文学内涵。第四章“《芥子园画传》印章的文学史料价值”。本章旨在考辩《芥子园画传》中的印章,以增进对李渔事迹、沈心友事迹和“蕉园诗社”的了解。分析《芥子园画传》印章的考辩结果,可以将之作为以下几个论断的佐证:第一,“新亭客樵”是王概的别号而并非李渔的别号。第二,沈李龙是沈心友的父亲,沈泽民是其祖父。第三,沈沆、沈潜、沈渭、沈清皆为沈心友之子,沈姒音为其女。第四,李淑昭很有可能是“蕉园七子”中的一员。
[Abstract]:The biography of Mustard Garden painting is an authoritative encyclopedia of painting in the history of Chinese art, but all along, scholars have focused their attention on its significance and value as an introductory textbook for the study of painting. There is almost no literary research on the Biography of Mustard Garden painting. As a matter of fact, Shen Xinyou and Wang Gongsan, the chief editors of the Biography of Mustard Garden paintings, have a clear pursuit of the literariness of the Biography of the paintings of Mustard Garden. This paper attempts to make a systematic analysis of the literary forms in the Biography of Mustard Garden paintings in order to make a deep and comprehensive discussion on the literary implications of the Biography of Mustard Garden paintings. The full text is divided into four chapters. Chapter one: the Literary pursuit of the Biography of Mustard Garden painting. This chapter mainly makes it clear that Shen Xinyou and Wang Geng, the editors of the Biography of Mustard Garden paintings, have high literary qualities and have consciously incorporated them into the compilation of the Biography of Mustard Garden paintings. We attach importance to and pursue the literariness of "Biography of Mustard Garden paintings", which has a deep literary origin from name to content. The second chapter is the Literary form of the characters. This chapter attempts to start with the abundant prefaces and inscriptions, the theory of scattered style and painting, the theory of poetic style and the theory of comment on style and painting in the Biography of the paintings of Mustard Garden, and to study the literary connotation of them. The various literary forms of the Biography of the paintings of Mustard Garden show a strong literary connotation. In the adjustment of literary expression and technical requirements, there even appeared the situation of attaching importance to literariness and weakening the technical expression, which was also the result of the craftsmanship pursued by the editors of Mustard Garden painting Biography. The third chapter is "the Biography of Mustard Garden painting". This chapter focuses on the analysis of the accompanying poems in the Biography of Mustard Garden paintings. Firstly, the origin of the poems is briefly defined, and then the emotional implication and the artistic interpretation of the poems are analyzed in detail. The emotional attitude of painting poetry mainly includes the idea of entering painting, the pleasure of lying down, the fun of leisure and the thought of seclusion. Painting Biography pursues the harmony between painting poem and painting in art, and makes use of the imagination and symbol of poetry. The combination of synaesthesia and poetry, calligraphy, painting and imprint is the combination of literature and aesthetics of Mustard Garden painting, which reflects the writers' pursuit of literature and reveals the profound literary connotation of "painting Biography". Chapter four: the value of the Seal's Literary Historical Materials. The purpose of this chapter is to discuss the seal in Mustard Garden painting Biography to promote the understanding of Li Yu's deeds, Shen Xinyou's deeds and the Canna Garden Poetry Society. The analysis of the result of the seal of Mustard Garden painting can be used as the corroboration of the following conclusions: first, "Xinting Guoqiao" is a different name of Wang Cai and not that of Li Yu. Second, Shen Li long is the father of Shen Xinyou and Shen Zemin is his grandfather. Third, Shen Kang, Shen Qian, Shen Wei and Shen Qing are all sons of Shen Xinyou. Fourth, Li Shuzhao is likely to be a member of the Seven Canna Garden.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205;I206.2
本文编号：2293042
[Abstract]:The biography of Mustard Garden painting is an authoritative encyclopedia of painting in the history of Chinese art, but all along, scholars have focused their attention on its significance and value as an introductory textbook for the study of painting. There is almost no literary research on the Biography of Mustard Garden painting. As a matter of fact, Shen Xinyou and Wang Gongsan, the chief editors of the Biography of Mustard Garden paintings, have a clear pursuit of the literariness of the Biography of the paintings of Mustard Garden. This paper attempts to make a systematic analysis of the literary forms in the Biography of Mustard Garden paintings in order to make a deep and comprehensive discussion on the literary implications of the Biography of Mustard Garden paintings. The full text is divided into four chapters. Chapter one: the Literary pursuit of the Biography of Mustard Garden painting. This chapter mainly makes it clear that Shen Xinyou and Wang Geng, the editors of the Biography of Mustard Garden paintings, have high literary qualities and have consciously incorporated them into the compilation of the Biography of Mustard Garden paintings. We attach importance to and pursue the literariness of "Biography of Mustard Garden paintings", which has a deep literary origin from name to content. The second chapter is the Literary form of the characters. This chapter attempts to start with the abundant prefaces and inscriptions, the theory of scattered style and painting, the theory of poetic style and the theory of comment on style and painting in the Biography of the paintings of Mustard Garden, and to study the literary connotation of them. The various literary forms of the Biography of the paintings of Mustard Garden show a strong literary connotation. In the adjustment of literary expression and technical requirements, there even appeared the situation of attaching importance to literariness and weakening the technical expression, which was also the result of the craftsmanship pursued by the editors of Mustard Garden painting Biography. The third chapter is "the Biography of Mustard Garden painting". This chapter focuses on the analysis of the accompanying poems in the Biography of Mustard Garden paintings. Firstly, the origin of the poems is briefly defined, and then the emotional implication and the artistic interpretation of the poems are analyzed in detail. The emotional attitude of painting poetry mainly includes the idea of entering painting, the pleasure of lying down, the fun of leisure and the thought of seclusion. Painting Biography pursues the harmony between painting poem and painting in art, and makes use of the imagination and symbol of poetry. The combination of synaesthesia and poetry, calligraphy, painting and imprint is the combination of literature and aesthetics of Mustard Garden painting, which reflects the writers' pursuit of literature and reveals the profound literary connotation of "painting Biography". Chapter four: the value of the Seal's Literary Historical Materials. The purpose of this chapter is to discuss the seal in Mustard Garden painting Biography to promote the understanding of Li Yu's deeds, Shen Xinyou's deeds and the Canna Garden Poetry Society. The analysis of the result of the seal of Mustard Garden painting can be used as the corroboration of the following conclusions: first, "Xinting Guoqiao" is a different name of Wang Cai and not that of Li Yu. Second, Shen Li long is the father of Shen Xinyou and Shen Zemin is his grandfather. Third, Shen Kang, Shen Qian, Shen Wei and Shen Qing are all sons of Shen Xinyou. Fourth, Li Shuzhao is likely to be a member of the Seven Canna Garden.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205;I206.2
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