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《鲤》书系与80后作家研究

发布时间:2018-11-19 19:28
【摘要】:“80后”文学是20世纪最具影响力的现象之一。与前辈作家通过文学期刊、评论家、文学史来塑造自身文学形象不同,“80后”作家则凭借与出版社、媒体、读者的亲密关系解构传统文学机制,创办新锐文学期刊,打造专属的发声平台,重新整合当代文学资源。在众多由“80后”作家担任主编的新锐文学期刊中,张悦然与周嘉宁的《鲤》书系以不俗的文化品味受到了广泛的赞誉。《鲤》书系是一本充满代际色彩的文学期刊,在关照“80后”群体的心理路程的同时,还为“80后”作家打造了自由、纯粹的创作平台,探索“80后”文学创作的可能。基于此,本文以《鲤》书系为切入口,重看“80后”的文学创作之路,并分析走出“青春文学”后,“80后”作家的文学新形象。本文第一章梳理了 “80后”的代际特征和成长背景,点破生活在社会转型期,且受到消费文化、大众文化浸润的“80后”群体,其价值观、文学观与前辈相比已然发生颠覆性改变。第二章将《鲤》书系与传统文学期刊进行比较,凸显《鲤》书系在办刊理念、编辑运营等方面的新锐性;第三章从私人化写作、女性作家写作、青年作家的社会责任感三个维度来探究经由《鲤》书系平台后,“80后”作家文学形象的改变;第四章将《鲤》放置于当代文学史视野中进行分析,揭示文学史与《鲤》书系之间存在相互影响的关系。总之,无论是从文学期刊的发展来看,还是从当代文学与文化的发展来看,《鲤》书系的出现都是一个突破。张悦然、周嘉宁等“80后”作家的文学观念借助MOOK杂志书的形式呈现,为“80前”主编占据的文学期刊出版市场注入新鲜血液,且众“80后”作家围绕《鲤》书系开展文学创作,试图以一己之力打破外界对于“80后”文学的固有观念,并专注于开拓私人化写作的视野,致力于彰显女性作家作品魅力,和全身心承担青年作家的社会责任,打造了 “80后”文学的新形象。因此,从《鲤》书系出发,探究“80后”文学的变化与发展是具有一定研究意义的。
[Abstract]:The post-80s literature is one of the most influential phenomena in the 20 th century. Different from their predecessors in shaping their literary images through literary journals, critics and literary history, the post-80s writers destruct the traditional literary mechanism through the intimate relationship with publishers, media and readers, and establish new and cutting-edge literary journals. To create an exclusive voice platform and reintegrate contemporary literary resources. Among the many new literary journals edited by the post-80s writers, Zhang Yuelan and Zhou Jianning's "Li" books have been widely praised for their good cultural taste. The "Li" book system is a literary journal full of intergenerational color. While taking care of the psychological distance of the post-80s group, it also creates a free and pure creative platform for the post-80s writers to explore the possibility of literary creation. Based on this, this paper takes the book department of "carp" as the entry point, revisits the road of literary creation of "post-80s", and analyzes the new literary image of "post-80s" writers after stepping out of "youth literature". The first chapter of this article combs the generation characteristic and the growth background of the "post-80s", points out that the "post-80s" group, which lives in the social transition period and is infiltrated by consumer culture and popular culture, has its values. Literary views have changed subversely compared with their predecessors. The second chapter compares the book system of "common carp" with the traditional literary periodical, and highlights the new sharpness of "common carp" book department in the aspects of management idea, editing operation and so on. The third chapter explores the changes of the literary image of the "post-80s" writers through the three dimensions of personal writing, female writers' writing, and the social responsibility of young writers. The fourth chapter analyzes the relationship between the history of literature and the book system in the view of contemporary literary history. In short, whether from the development of literary journals or from the development of contemporary literature and culture, the emergence of the book system is a breakthrough. Zhang Yuelan, Zhou Jianning and other "post-80s" writers presented their literary ideas in the form of MOOK magazine books, infusing fresh blood into the literary periodical publishing market occupied by the editor-in-chief of "80's". Moreover, the writers of the "post-80s" have developed their literary creation around the Book Department of "Li" in an attempt to break the inherent concept of the "post-80s" literature by their own efforts, and to concentrate on opening up the field of vision of private writing and to show the charm of the works of female writers and works. And committed to the social responsibility of young writers, to create a new image of "80's" literature. Therefore, it is of certain significance to explore the changes and development of the post-80s literature from the book system of carp.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I206.7

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