翁方纲诗学的取法途径与理论支点
发布时间：2018-12-24 13:55
【摘要】：自郭绍虞《肌理说》一文发表以来,学界都因袭其说,先入为主地将肌理说视为翁方纲诗学的核心观念,在肌理说与当时不同诗学观念的对立中把握不同层面的诗学问题,以致对翁方纲诗学的诠释和评价产生诸多分歧意见。如果从考究翁方纲诗学的取法之途与落脚之点入手,就会看到翁方纲诗论的核心和重要成果是建构了一个以杜韩苏黄元为宗尚的师法谱系,同时以"事境"概念为中心初步实现了学人诗观念的建构,为清代后期的学人诗风吹响了理论号角。
[Abstract]:Since the publication of Guo Shaoyu's Theory of texture, the academic circles have inherited his theory, previewing it as the core concept of Weng Fanggang's poetics, and grasping the poetics problems at different levels in the opposition between the texture theory and the different poetic concepts at that time. As a result, Weng Fang Gang poetics interpretation and evaluation of many different views. If we start with the study of Weng Fanggang's poetics, we can see that the core and important achievement of Weng Fanggang's poetics is the construction of a genealogy of master law with du Han Su Huang Yuan as Zong Shang. At the same time, taking the concept of "circumstance" as the center, the author initially realized the construction of the concept of scholars' poetry, which sounded the theoretical horn for the scholars' poetic style in the late Qing Dynasty.
【作者单位】： 华南师范大学文学院;
【基金】：国家社科基金重大项目“清代文人事迹编年汇考”(13&ZD117)的阶段性成果
【分类号】：I207.22
，
本文编号：2390710
[Abstract]:Since the publication of Guo Shaoyu's Theory of texture, the academic circles have inherited his theory, previewing it as the core concept of Weng Fanggang's poetics, and grasping the poetics problems at different levels in the opposition between the texture theory and the different poetic concepts at that time. As a result, Weng Fang Gang poetics interpretation and evaluation of many different views. If we start with the study of Weng Fanggang's poetics, we can see that the core and important achievement of Weng Fanggang's poetics is the construction of a genealogy of master law with du Han Su Huang Yuan as Zong Shang. At the same time, taking the concept of "circumstance" as the center, the author initially realized the construction of the concept of scholars' poetry, which sounded the theoretical horn for the scholars' poetic style in the late Qing Dynasty.
【作者单位】： 华南师范大学文学院;
【基金】：国家社科基金重大项目“清代文人事迹编年汇考”(13&ZD117)的阶段性成果
【分类号】：I207.22
，
本文编号：2390710
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