清宫月令承应戏考论
发布时间：2018-12-27 10:09
【摘要】：月令承应戏是清宫承应戏中的一种重要类型。本文以文献学方法为基础,结合传世剧本和档册记载,对其相关情况进行研究,全文分为五章。第一章,回顾一个多世纪以来学界对清宫月令承应戏的研究状况,进而确定本文研究对象——清宫月令承应戏,将其定义为清宫内廷在岁时节令惯常上演,内容与该节令风俗典故密切相关的戏曲,并据此提出判断月令承应戏的三条主要标准:一是演出时间是否相对集中于某一节令时点;二是曲文话白中是否直接点明某一节令;三是演出内容是否带有特定节令习俗的明显烙印。第二章,从形成渊源、演戏节令、传世剧目、类型划分等四个方面,对清宫月令承应戏的整体概况进行梳理。依据文本体制特点,追溯其形成渊源。通过对伴有月令承应戏演出节令的辨析,了解清宫月令承应戏的演出背景,就清宫月令承应戏的外延进行界定。在此基础上,对传世剧目和剧本作以盘点。同时,基于不同的演出特点,以仪典戏和观赏戏对月令承应戏作再度划分,便于更好把握其各自特质。第三章,从剧本形制、剧本种类、改编方式、剧本特色等四个方面,对清宫月令承应戏剧本的相关情况进行梳理。首先从剧本的外观、书写形式、书写内容、题名变化等方面,对剧本作以直观了解。之后,对剧本中存在的总本、角本、曲谱、串头(排场)、串关、题纲(提纲)、鼓板等7种不同类型排演本以及安殿本作以界定。立足阅读所得,以删、改二字,对剧本的改编情况作以概括,并着眼剧本的内容,以点明月令的应景性、主圣世昌的颂赞性、蕴含丰富的民俗性、滑稽搞笑的娱乐性等四者,作为对清宫月令承应戏剧本内容特色的归结。第四章,从参演人员、排练演习、演剧管理、搬演特色等四个方面,对清宫月令承应戏的演出情况进行梳理。围绕演出的人从哪来,怎么进行表演训练,如何组织演出等方面,从演出层面来认识和把握清宫月令承应戏。并根据实际演出情况,以演出阵容庞大、演出场所宏阔、演出装扮精致、演出摆列图案等四者,作为对清宫月令承应戏剧本演出特色的归结。第五章,选取端午承应戏《阐道除邪》开展个案研究,从演出剧本、演出情形、演出地点、承应人员、行头砌末、演出形式等六个方面,对《阐道除邪》进行全面考述。
[Abstract]:Yue Ling Chengying Opera is an important type in Qing Palace Chengyue Opera. Based on the method of philology, this paper studies the relevant situation of screenplay and documentary record, which is divided into five chapters. In the first chapter, the author reviews the research situation of the Qing Dynasty's lunar order in the past more than a century, and then determines the research object of this paper, namely, the Qing Dynasty's lunar order, which is defined as the customary performance of the Qing Dynasty's imperial court at the age of the Qing Dynasty. The content is closely related to the festival custom allusions of the opera, and based on this, three main criteria for judging the Yuelingcheng opera: first, whether the performance time is relatively concentrated in a certain seasonal point; The second is whether a certain section is directly pointed out in the lyrics and the third is whether the content of the performance is marked by the custom of a particular season. The second chapter, from the formation of the origin, acting season, handed down the repertoire, classification and other four aspects, the Qing Palace month Ling Chengying the overall situation of the general situation of combing. According to the characteristics of text system, the origin of its formation is traced back. Through the differentiation and analysis of the period of the performance with the month of the Qing Dynasty, the background of the performance of the month of Qing Palace is understood, and the extension of the month of the Qing Palace is defined. On this basis, the history of plays and plays for an inventory. At the same time, on the basis of different performance characteristics, the Yue Ling Chengying Opera is further divided into classical and ornamental operas in order to better grasp their respective characteristics. The third chapter, from the script form, the script type, the adaptation way, the script characteristic and so on four aspects, carries on the combing to the Qing palace month order Chengying drama the related situation. Firstly, the script is intuitively understood from the aspects of its appearance, writing form, writing content, title change and so on. After that, it defines seven different types of rehearsals, such as total text, angle text, music score, string head, outline, drum board and so on. Based on the reading income, to delete, change two characters, to summarize the adaptation of the script, and to focus on the content of the script, to point out the scene of the moon, the praise of the Lord Saint Shichang, the rich folklore, the funny entertainment, etc. As a summary of the characteristics of the content of the Qing Palace Yue-Cheng-ying drama. The fourth chapter, from the participants, rehearsals, performance management, acting characteristics of four aspects, to the Qing palace month Chengcheng drama performance. Around where the performers come from, how to perform training, how to organize performances, from the performance level to understand and grasp the Qing palace month Chengcheng opera. And according to the actual performance situation, the performance lineup is huge, the performance place is broad, the performance dress is exquisite, the performance arranges the pattern and so on, as the resolution to the Qing palace month Chengcheng drama performance characteristic. The fifth chapter selects the Dragon Boat Festival Chengyue drama "expelling evil ways" to carry out a case study, from the performance script, the performance situation, the performance place, the support personnel, the costume masonry, the performance form and so on six aspects, carries on the comprehensive research to "expelling evil way".
【学位授予单位】：辽宁大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：I207.37
本文编号：2392903
[Abstract]:Yue Ling Chengying Opera is an important type in Qing Palace Chengyue Opera. Based on the method of philology, this paper studies the relevant situation of screenplay and documentary record, which is divided into five chapters. In the first chapter, the author reviews the research situation of the Qing Dynasty's lunar order in the past more than a century, and then determines the research object of this paper, namely, the Qing Dynasty's lunar order, which is defined as the customary performance of the Qing Dynasty's imperial court at the age of the Qing Dynasty. The content is closely related to the festival custom allusions of the opera, and based on this, three main criteria for judging the Yuelingcheng opera: first, whether the performance time is relatively concentrated in a certain seasonal point; The second is whether a certain section is directly pointed out in the lyrics and the third is whether the content of the performance is marked by the custom of a particular season. The second chapter, from the formation of the origin, acting season, handed down the repertoire, classification and other four aspects, the Qing Palace month Ling Chengying the overall situation of the general situation of combing. According to the characteristics of text system, the origin of its formation is traced back. Through the differentiation and analysis of the period of the performance with the month of the Qing Dynasty, the background of the performance of the month of Qing Palace is understood, and the extension of the month of the Qing Palace is defined. On this basis, the history of plays and plays for an inventory. At the same time, on the basis of different performance characteristics, the Yue Ling Chengying Opera is further divided into classical and ornamental operas in order to better grasp their respective characteristics. The third chapter, from the script form, the script type, the adaptation way, the script characteristic and so on four aspects, carries on the combing to the Qing palace month order Chengying drama the related situation. Firstly, the script is intuitively understood from the aspects of its appearance, writing form, writing content, title change and so on. After that, it defines seven different types of rehearsals, such as total text, angle text, music score, string head, outline, drum board and so on. Based on the reading income, to delete, change two characters, to summarize the adaptation of the script, and to focus on the content of the script, to point out the scene of the moon, the praise of the Lord Saint Shichang, the rich folklore, the funny entertainment, etc. As a summary of the characteristics of the content of the Qing Palace Yue-Cheng-ying drama. The fourth chapter, from the participants, rehearsals, performance management, acting characteristics of four aspects, to the Qing palace month Chengcheng drama performance. Around where the performers come from, how to perform training, how to organize performances, from the performance level to understand and grasp the Qing palace month Chengcheng opera. And according to the actual performance situation, the performance lineup is huge, the performance place is broad, the performance dress is exquisite, the performance arranges the pattern and so on, as the resolution to the Qing palace month Chengcheng drama performance characteristic. The fifth chapter selects the Dragon Boat Festival Chengyue drama "expelling evil ways" to carry out a case study, from the performance script, the performance situation, the performance place, the support personnel, the costume masonry, the performance form and so on six aspects, carries on the comprehensive research to "expelling evil way".
【学位授予单位】：辽宁大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：I207.37
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