“70后”作家的乡村小说研究
发布时间：2019-01-22 10:49
【摘要】：20世纪的中国文学史上,文学的乡村叙事无疑是近百年来中国主流文学中成就最高的题材领域之一。随着社会的转型和文化语境的变迁,乡村文学亦悄然发生着变化,且在不同时期,其叙事方式和主题内涵也有着不同的表现。进入新时期以来,以“70后”为主体的新生代作家群开始逐渐步入到对乡村的书写当中。与前几代作家相比,“70后”作家多以城市和自我生活为创作背景,对乡村生活的描写明显减少,虽然乡村小说创作数量不多,却也呈现出独特的个性,他们以细腻的笔触与情感体验,在追忆往昔与返乡观察的基础上,记录了当下真实的乡村生态。其中既有“70后”作家们独特的时代体验、叙事风格与创作趋向,还隐含着他们独立的价值观念与情感认同。论文主要从作家的身份立场、审美视角及叙事策略等角度对“70后”作家的乡村小说进行考察,概括总结出目前的乡村小说创作主要呈现出三类叙述特点:第一种是以鲁敏、艾玛为代表对乡村日常生活状态的重新书写,在恬淡的诗意中赞颂乡村世界,传递苍凉之下的温情,讴歌纯洁的人性,试图唱起沉睡乡村的田园牧歌;第二种是以魏微、徐则臣为代表的书写漂泊于城市和乡村之间始终归乡无望的群体,既回不去故乡也走不出异乡,在无根的乡村与都市的边缘不断挣扎徘徊,进而表达在由村进城这一身份转变中产生的尴尬与焦虑;第三种是以刘玉栋、叶炜、李骏虎为代表书写在经历了商业浪潮席卷后逐渐嬗变的乡村,揭露转型后的乡村伦理道德冲突,通过对往昔乡村风情的怀恋进而展开对当下现实乡村的批判。这三种创作主线,融合着作家各自的成长经历与思维线索,从纯粹书写古风淳朴的乡村生活,到回不去与走不出的现实困境,再到大背景下故乡的日渐失语,展现的不仅是“70后”作家的乡村叙述范式,更是夹杂着隔阂、陌生与无奈的归乡牵绊与乡村凋零、故乡沦陷、灵魂无处安放的时代之殇。
[Abstract]:In the history of Chinese literature in the 20 ~ (th) century, the rural narrative of literature is undoubtedly one of the most successful subject areas in Chinese mainstream literature in the last hundred years. With the transformation of society and the change of cultural context, rural literature also quietly changes, and in different periods, its narrative mode and theme connotation also have different performance. Since entering the new period, the new generation writers, mainly in the post-70 period, have gradually stepped into the writing of the countryside. Compared with previous generations of writers, most of the writers of the "post-70s" write with the background of city and self-life, and the description of rural life is obviously reduced. Although the number of rural novels is not much, they also present their unique personality. On the basis of recalling the past and returning home, they recorded the real rural ecology with fine brush strokes and emotional experience. Among them, there are not only the unique times experience, narrative style and creation trend, but also their independent values and emotional identity. The thesis mainly investigates the rural novels of the "post-70s" writers from the standpoint of identity, aesthetic perspective and narrative strategy, and summarizes the three kinds of narrative characteristics of the current rural novels: the first is Lu Min. Emma, on behalf of the rewriting of the daily life of the countryside, praised the rural world in the tranquil poetry, conveyed the warmth under the desolation, eulogized the pure human nature, and tried to sing the pastoral songs of the sleeping countryside. The second is the group whose writing, represented by Wei and Xu Zichen, drifted between the city and the countryside and had no hope of returning to their hometown. They could neither go back to their hometown nor go out of the country. They were constantly struggling on the edge of the rootless countryside and the city. And then express the embarrassment and anxiety in the transformation of identity from the village to the city; The third is written by Liu Yudong, Ye Wei and Li Junhu as the representatives of the countryside, which has gradually evolved after experiencing a wave of business, exposing the rural ethics and moral conflicts after the transformation. Through nostalgia for the past rural amorous feelings and then the development of the current reality of rural criticism. These three main lines of creation combine the writer's own growth experience and thinking clue, from pure writing the simple rural life of the ancient style, to the realistic predicament of not going back and not going out, to the gradual aphasia of the hometown in the big background. It shows not only the rural narrative paradigm of the writers after the 70s, but also the death of the times when they are mixed with estrangement, strange and helpless homecoming and rural decay, the fall of the hometown and the nowhere to place the soul.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
本文编号：2413154
[Abstract]:In the history of Chinese literature in the 20 ~ (th) century, the rural narrative of literature is undoubtedly one of the most successful subject areas in Chinese mainstream literature in the last hundred years. With the transformation of society and the change of cultural context, rural literature also quietly changes, and in different periods, its narrative mode and theme connotation also have different performance. Since entering the new period, the new generation writers, mainly in the post-70 period, have gradually stepped into the writing of the countryside. Compared with previous generations of writers, most of the writers of the "post-70s" write with the background of city and self-life, and the description of rural life is obviously reduced. Although the number of rural novels is not much, they also present their unique personality. On the basis of recalling the past and returning home, they recorded the real rural ecology with fine brush strokes and emotional experience. Among them, there are not only the unique times experience, narrative style and creation trend, but also their independent values and emotional identity. The thesis mainly investigates the rural novels of the "post-70s" writers from the standpoint of identity, aesthetic perspective and narrative strategy, and summarizes the three kinds of narrative characteristics of the current rural novels: the first is Lu Min. Emma, on behalf of the rewriting of the daily life of the countryside, praised the rural world in the tranquil poetry, conveyed the warmth under the desolation, eulogized the pure human nature, and tried to sing the pastoral songs of the sleeping countryside. The second is the group whose writing, represented by Wei and Xu Zichen, drifted between the city and the countryside and had no hope of returning to their hometown. They could neither go back to their hometown nor go out of the country. They were constantly struggling on the edge of the rootless countryside and the city. And then express the embarrassment and anxiety in the transformation of identity from the village to the city; The third is written by Liu Yudong, Ye Wei and Li Junhu as the representatives of the countryside, which has gradually evolved after experiencing a wave of business, exposing the rural ethics and moral conflicts after the transformation. Through nostalgia for the past rural amorous feelings and then the development of the current reality of rural criticism. These three main lines of creation combine the writer's own growth experience and thinking clue, from pure writing the simple rural life of the ancient style, to the realistic predicament of not going back and not going out, to the gradual aphasia of the hometown in the big background. It shows not only the rural narrative paradigm of the writers after the 70s, but also the death of the times when they are mixed with estrangement, strange and helpless homecoming and rural decay, the fall of the hometown and the nowhere to place the soul.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
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