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探骊吟社研究

发布时间:2019-01-30 07:38
【摘要】:探骊吟社是同治、光绪时期一个以满族文人为主,包容蒙、汉文人的诗社,在晚清文学史上可谓独具特色。本文主要从晚清的时代背景和诗坛环境入手,考察探骊吟社这一特殊群体出现的原因以及在历史动荡条件下的发展情况,同时联系其创作,挖掘晚清八旗文人的群体形象和艺术追求。主体部分由四个章节组成:第一章介绍了探骊吟社的创立。探骊吟社是一个规模很大的诗社,前后持续十三年,多达五十余位诗人,他们身份不一,民族各异,显示了极大的包容性和满蒙汉融合的特点。探骊吟社是严格意义上的文学性诗社,这从他们的结社宗旨就可以看出。当然,对于初入仕途的文人来说,难免有对时局的议论,但总体上政治性不是特别明显。探骊吟社有总集《日下联吟诗词集》存世,这是继《钦定熙朝雅颂集》之后,又一集中选录八旗文人诗词的选集,对我们了解晚清八旗文人创作具有重要的价值,现存主要有三个版本。第二章分析了探骊吟社的群体互动。该部分主要通过诗社总集《日下联吟诗词集》中的序、跋和诗社成员的别集等文献资料考察诗社的群体互动情况。探骊吟社成员之间交往十分频繁,从十几人的大型雅集,到两三人之间的往来唱和,从联句到和韵等,唱和形式极为丰富,诗人们飞觞共咏,切磋诗艺,不亦乐乎。第三章描绘了探骊吟社的集体群像。本章主要联系诗人的生平和诗词创作,深入挖掘探骊吟社诗人在晚清局势下真实的生存状貌和心灵状态。这是一群没落的晚清贵族,他们有着八旗文人固有的妥协性和软弱性,但也有着传统文士的家国担当和忧国忧民的情怀。他们渴望建功立业,但总是事与愿违,现实的无望让彷徨的他们转而向诗酒知己寻求慰藉,向山水田园找寻内心的宁静。虽然落拓飘摇,但仍保持着一份清醒和洁净。探骊吟社作为一个群体,它有着极强的代表性,可以说是晚清八旗文人的精神标志,一个含着血泪和尊严的时代象征。第四章论述了探骊吟社的艺术追求。探骊吟社虽以八旗文人居多,但受汉文化影响很深,他们继承了中国古代温柔敦厚的诗教传统,尚写真情。同时也有自己的创新和开拓,并形成了极具特色的美学风格,反映出晚清八旗文人独特的审美旨趣。探骊吟社处于特殊的历史环境,这让身处时代旋涡中的诗人也深受影响,反映在他们的诗词创作上就是总有一种忧郁的气质,含蓄深蕴,以营造悲冷静寂的意境为美,当然这其中也有诗人们对艺术的自主追求。探骊吟社是古典文学的回光,就像它所处的那个时代有“同治中兴”的回光一样,微弱但珍贵。
[Abstract]:Probing into Liyin Society is a Tongzhi, Guang Xu period is a Manchu literati mainly, tolerant, Han Chinese poetry society, in the late Qing Dynasty literature history can be said to have its own characteristics. From the background of the late Qing Dynasty and the poetic environment, this paper examines the reasons for the emergence of this special group and its development under the conditions of historical turbulence, at the same time connecting with its creation. Excavate the group image and artistic pursuit of the literati of the eight banners in the late Qing Dynasty. The main part consists of four chapters: the first chapter introduces the founding of Liyin Society. Quan Li Yin Society is a large poetry society, lasting 13 years before and after, as many as 50 poets, their identity is different, different nationalities, showing the characteristics of great inclusiveness and the integration of Mongolian and Han. Quan Li Yin Society is a literary poetry society in the strict sense, which can be seen from their aim of association. Of course, for the first scholars, there is inevitably a discussion of the current situation, but overall political is not particularly obvious. Li Yin Society has a collection, "the collection of poetry and ci under the sun", which exists in the world. This is another anthology of the poems of the literati of the eight banners, which is of great value for us to understand the creation of the literati of the eight banners in the late Qing Dynasty, after the collection of Ya'ong in the Qing Dynasty, which is also a collection of selected poems of the literati of the eight banners. There are three main versions in existence. The second chapter analyzes the group interaction of Liyin Society. This part mainly studies the group interaction through the preface, the postscript and the different collections of the members of the Poems Society. The communication among the members of Liyin Society is very frequent, from the large elegant collection of more than a dozen people to the exchange of two or three people, from the combination of sentences to the rhyme and so on, the form of singing harmony is extremely rich. The third chapter describes the collective images of the Liyin Society. This chapter mainly relates the poet's life and poetry creation, deeply excavates the Li Yin Society poet's real existence appearance and the soul state under the late Qing Dynasty situation. This is a group of declining late Qing aristocrats, who have the inherent compromise and weakness of the eight banners of literati, but also have the traditional scholar's family responsibility and worry about the national feelings. They are eager to build merit, but always contrary to what they want, the reality of hopelessness to let them turn to poetry and wine confidant seek comfort, from the landscape pastoral search for inner peace. Although the fallout wave, but still maintain a sober and clean. Probing Liyin Society as a group, it has a strong representative, can be said to be the spiritual symbol of the late Qing Dynasty eight banners, a symbol of the times with blood and tears and dignity. The fourth chapter discusses the artistic pursuit of Liyin Society. Although the writers of the eight banners are the majority of the society, they are deeply influenced by the Han culture. They inherited the ancient Chinese tradition of gentle and honest poetry, and still write down the true feelings. At the same time, it also has its own innovation and development, and formed a unique aesthetic style, reflecting the unique aesthetic purport of the eight banners of the late Qing Dynasty. Li Yin Society is in a special historical environment, which makes poets in the vortex of the times also deeply influenced, reflected in their poetry creation is always a kind of melancholy temperament, implicit implication, to create a sad and silent mood for the United States. Of course, there are also poets of the independent pursuit of art. Probing Liyin Society is the return light of classical literature, just as it was in the same time as the return light of "Tongzhi Zhongxing", weak but precious.
【学位授予单位】:辽宁大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.22

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