论清代顺康、雍乾词坛群体同画唱和主题
发布时间：2019-02-24 14:51
【摘要】：清代顺康、雍乾四朝词坛同画题词规模空前,其群体同画唱和规模同样如此。顺康词坛群体题画唱和主题注重表达易代之际士人的旧阙之思和乱世之悲。从康熙后期至雍乾朝,群体同画唱和主题逐渐演变为追求闲雅生活、抒发修齐治平之志的内容。
[Abstract]:In the Qing Dynasty, Shunkang, Yongqian four dynasties with painting inscription scale unprecedented, its group with painting singing scale the same. Shunkang ci group theme and theme pay attention to express the generation of scholars' old lack of thinking and troubled times of grief. From the late Kangxi period to the Yong Qiandynasty, the theme of singing with the group gradually evolved into the pursuit of leisure and elegant life, expressing the content of Qi Zhiping's will.
【作者单位】： 上海理工大学社会科学学院;武汉大学文学院;
【基金】：国家社科基金一般项目“清雍乾词坛研究”(项目批准号:15BZW079)的阶段成果
【分类号】：I207.23
，
本文编号：2429647
[Abstract]:In the Qing Dynasty, Shunkang, Yongqian four dynasties with painting inscription scale unprecedented, its group with painting singing scale the same. Shunkang ci group theme and theme pay attention to express the generation of scholars' old lack of thinking and troubled times of grief. From the late Kangxi period to the Yong Qiandynasty, the theme of singing with the group gradually evolved into the pursuit of leisure and elegant life, expressing the content of Qi Zhiping's will.
【作者单位】： 上海理工大学社会科学学院;武汉大学文学院;
【基金】：国家社科基金一般项目“清雍乾词坛研究”(项目批准号:15BZW079)的阶段成果
【分类号】：I207.23
，
本文编号：2429647
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