图文互文法在中国文学研究著作编纂中的误区探究

发布时间：2019-06-01 14:15

【摘要】：图文互文法自进入文学研究领域以来,在长期的实践中不断得到丰富和完善,学术界对于中国文学研究的图文互文著作也日益重视,但在此过程中也存在着一些值得忧虑的地方。一方面,图像史料的真正价值仍未被认识和重视。由于一些出版社以及研究者们缺乏对图像史料的自主发现,比较注意搜集直面上的图像史料,喜欢选择已经出版著作中的图像,来源比较单一;此外,部分研究者缺乏相关专业知识背景及宏大的学术视野和社会维度,难以对图像史料进行必要的真伪考辨和分析解读,审美眼光与文化史知识的欠缺使得他们无法在图文关系、意义生成上进行内在的创造,图像与文字叙述缺乏内在的关联,而过于注重专业趣味则遮蔽了更为丰富的文化内涵和文学现象,图像史料的价值难以得到真正的体现。另一方面,现有的一些中国文学研究的图文互文著作在运用图像史料的过程中过于焦急,或是过度地使用图像史料,形成图像对于文字的某种霸权,或是图像的设置缺乏内在逻辑性,似乎著作编纂者并未意识到图像的内在配置规律,或是普遍缺乏图像史料的著作权意识,未遵循学术规范对图像史料的作者、设置者、出处进行标注。这些问题的出现并非偶然,它反映了进入读图时代后学术界所面临的运用图像史料切入文学研究的困境与误区。
[Abstract]:Since entering the field of literary research, graphic and text intertextuality has been enriched and perfected in long-term practice, and academic circles have paid more and more attention to the works of graphic and textual intertextuality in Chinese literary research. But there are also some things to worry about in the process. On the one hand, the real value of image historical data has not been recognized and valued. Due to the lack of independent discovery of image historical data by some publishing houses and researchers, more attention is paid to collecting the image historical data on the face of each other, and they like to choose the images in the published works, and the source is relatively single. In addition, some researchers lack the relevant professional knowledge background and grand academic vision and social dimension, so it is difficult to make the necessary textual research and analysis and interpretation of the image historical data. The lack of aesthetic vision and knowledge of cultural history makes it impossible for them to make internal creation in the relationship between graphics and text, the generation of meaning, and the lack of internal relationship between image and text narration. However, too much attention to professional interest obscures the richer cultural connotation and literary phenomena, and the value of image historical materials is difficult to be truly reflected. On the other hand, some existing graphic and text intertextuality works in Chinese literature are too anxious in the process of using image historical materials, or excessive use of image historical materials, forming a certain hegemony of images over characters. Or the setting of the image lacks the inherent logic, it seems that the compilers of the works do not realize the inherent allocation law of the image, or generally lack the copyright consciousness of the image historical data, and do not follow the academic norms for the authors and setters of the image historical data. The source is marked. The emergence of these problems is not accidental, it reflects the dilemma and misunderstanding of using image historical data to cut into literary research after entering the era of picture reading.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206

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