1980年代中国大陆女性诗歌中的“房间”意象研究

发布时间：2019-06-21 19:02

【摘要】：作为我国文学理论传统中优秀的批评形式之一,意象批评一直是文学研究的热点,因此对中国女性主义诗歌进行意象审美分析也成为我们探究女性诗歌至关重要的一环。“房间”意象作为在女性诗歌中出现频率较高的意象之一,其与女性内在世界有着千丝万缕的联系。本文从“房间”意象切入八十年代中国大陆女性诗歌进行文本分析,立足于女性视角,重点关注女性诗人独特的审美艺术,以及在女性经验、女性意识、女性生命意识和文化心理等投注下,“房间”所呈现的艺术价值和女性思想内涵,将探索女性精神成长和主体建构过程作为文章的重点进行有意义的分析探讨。本文共分四个部分:绪论主要阐明论文的选题原因、研究的方法及意义,并梳理与之相关的国内外研究状况。第一章着重梳理“房间”意象的传统文学内涵,以及女性主义作家对“房间”的书写,分析八十年代女性诗人偏好“房间”意象入诗的原因,并认为她们与“房间”的关系是既回归又冲突的矛盾体,这与女性自身的社会文化身份、生命体验、对社会的认知以及自我意识有着莫大的关系。论文的主体部分将女性视角与女性文本分析相融合,分析“房间”意象的文本内蕴。透过诗歌字里行间浸润的女性思维闪光把握内在的女性情感、心理内蕴,而不单单只从社会学角度的女性立场去考察女性诗歌的创作情况,以求达到诗歌鉴赏与文化探究的相得益彰。这部分将分为三个部分进行阐释,分别是“房间”在女性生存状态和精神成长过程中的作用以及女性角色的变化与房间的关系。第三章揭示女性诗歌写作“房间”意象所产生的意义,女性诗歌“房间”意象的运用拓展了女性审美意象体系、开阔了女性精神空间、促进了女性生命意识的加强以及女性主体意识藉此更加高扬。最后一章是本论文的收束和总括。女性“房间”意象的诗歌运用系统展示了当代女性诗人生命意识和主体意识逐渐强壮起来的过程,同时,也使我们看到,女性诗人从未放弃过与世界对话的愿望,她们的努力也收获了丰厚的果实,女性文学创作的明天必更加美好。
[Abstract]:As one of the excellent forms of criticism in the tradition of literary theory in our country, image criticism has always been the focus of literary research, so the aesthetic analysis of image in Chinese feminist poetry has become an important part of our exploration of female poetry. As one of the most frequent images in female poetry, the image of "room" is inextricably related to women in the world. This paper analyzes the text of female poetry in mainland China from the image of "room" in the 1980s, and focuses on the unique aesthetic art of female poets, as well as the artistic value and female ideological connotation of "room" under the bets of female experience, female consciousness, female life consciousness and cultural psychology. This paper makes a meaningful analysis and discussion on exploring the process of female spiritual growth and subject construction as the focus of the article. This paper is divided into four parts: the introduction mainly expounds the reasons for the topic selection, the methods and significance of the research, and combs the related research status at home and abroad. The first chapter focuses on combing the traditional literary connotation of the image of "room" and the writing of "room" by feminist writers, analyzes the reasons why female poets prefer "room" image into poetry in the 1980s, and holds that the relationship between them and "room" is a contradictory body of both return and conflict, which has great relationship with women's own social and cultural identity, life experience, cognition of society and self-consciousness. The main part of the paper combines the female perspective with the female text analysis, and analyzes the text connotation of the room image. Through the flash of female thinking between the lines of poetry to grasp the internal female emotion and psychological connotation, and not only from the perspective of sociology to investigate the creation of female poetry, in order to achieve poetry appreciation and cultural exploration to complement each other. This part will be divided into three parts to explain, namely, the role of "room" in the process of women's living state and spiritual growth, and the relationship between the change of female role and the room. The third chapter reveals the significance of the image of "room" in the writing of female poetry. The application of the image of "room" in female poetry expands the system of female aesthetic image, broadens the spiritual space of women, promotes the strengthening of women's life consciousness and the female subject consciousness. The last chapter is the summary and summary of this paper. The poetry application of the female "room" image systematically shows the process of the life consciousness and the subject consciousness of the contemporary female poets gradually strengthening. At the same time, it also makes us see that the female poets have never given up their desire to talk to the world, their efforts have also gained rich results, and the tomorrow of the female literary creation will be better.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.25

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