浅谈戏曲危机之编剧危机
发布时间：2019-07-30 11:55
【摘要】：正危机者,《辞海》的解释是:生死成败的紧要关头。中国戏剧的现状是这样吗?候宏先生曾经说过:"在我看来,戏剧工作者进行自救的功力是充足的,积极性是高涨的,潜在力是源源不断的。"你看,戏剧的生命力是这样旺盛,这样的生机勃勃,关键在于潜在力的发掘。戏曲危机,有主、客观因素。就主观因素而言,归根结底,还是观众、剧作者、演员的危机。我作为一个剧作者,对此,发表一些意见和看法。
[Abstract]:Those who are in crisis, the explanation of the Sea of speech is: the critical moment of the success or failure of life and death. Is this the current situation of Chinese drama? Mr. Hou Hong once said: "in my opinion, the dramatist's ability to save himself is sufficient, his enthusiasm is high, and his potential is in a steady stream." You see, the vitality of drama is so exuberant, such vitality, the key lies in the potential to explore. Opera crisis, there are subjective and objective factors. As far as subjective factors are concerned, in the final analysis, it is the crisis of audience, playwright and actor. As a playwright, I make some comments and opinions on this.
【作者单位】： 福建省浦城县文化馆;
【分类号】：I207.3
本文编号：2520878
[Abstract]:Those who are in crisis, the explanation of the Sea of speech is: the critical moment of the success or failure of life and death. Is this the current situation of Chinese drama? Mr. Hou Hong once said: "in my opinion, the dramatist's ability to save himself is sufficient, his enthusiasm is high, and his potential is in a steady stream." You see, the vitality of drama is so exuberant, such vitality, the key lies in the potential to explore. Opera crisis, there are subjective and objective factors. As far as subjective factors are concerned, in the final analysis, it is the crisis of audience, playwright and actor. As a playwright, I make some comments and opinions on this.
【作者单位】： 福建省浦城县文化馆;
【分类号】：I207.3
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