当代西方“恰当自然审美”的理论谱系及特征

发布时间：2018-01-02 06:06

本文关键词：当代西方“恰当自然审美”的理论谱系及特征　出处：《齐鲁学刊》2014年05期 　论文类型：期刊论文

【摘要】："恰当自然审美"命题由艾伦·卡尔松提出后引起激烈争议,观点纷纭,带有明显的谱系性,并总体上呈现出一些共同的理论特征。通过对当代西方"恰当自然审美"谱系的梳理则可以看出,要想实现真正的"恰当审美",必须在完善的整体思维框架下才有可能。它由此给我们带来的有益启示是,与传统审美理论不同,自然审美不应再孤立地探讨审美问题,也不应再将知识、伦理、宗教等非审美价值彻底排除在美学研究之外,既要考虑到审美对象,也要考虑到审美者及其各自所处的历史文化语境。唯其如此,这种审美才可能是"恰当"的。
[Abstract]:The proposition "appropriate natural aesthetics" was put forward by Alan Carlson and aroused fierce controversy, with diverse views, with an obvious genealogy. By combing the genealogy of "appropriate natural aesthetics" in contemporary western countries, we can see that we want to realize the true "appropriate aesthetics". Only under the perfect overall thinking frame can it be possible. The beneficial enlightenment it brings us is that, unlike the traditional aesthetic theory, natural aesthetics should no longer explore aesthetic problems in isolation, nor should knowledge be used again. Ethics, religion and other non-aesthetic values are completely excluded from aesthetic research. They should not only take into account the aesthetic objects, but also the historical and cultural context of the aesthetic and their respective historical and cultural contexts. This kind of aesthetic can be "appropriate".
【作者单位】：济南大学文学院;
【基金】：教育部人文社会科学青年基金项目“当代西方‘恰当审美’理论及与道家审美思想的互补关系研究”(13YJCC751083) 国家博士后基金项目“道家美学与当代‘恰当审美’的范式研究”(2012M520528)
【分类号】：B83-0
【正文快照】： “恰当审美”命题出现于20世纪后半叶的艺术领域,肯德尔·沃尔顿(Kendall L.Walton)明确提出了这一概念,后由艾伦·卡尔松引入自然审美领域,并因此引发了关于“恰当自然审美”的争议和热潮。卷入这场热潮的学者人数众多,观点纷纭,并呈现出明显的谱系性。本文将集中对“恰当自

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