美学视域下的先秦英雄神话研究

发布时间：2018-01-06 23:40

本文关键词：美学视域下的先秦英雄神话研究　出处：《广西师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：神话产生初期先民的生产力水平以及智力水平都比较低,是人类借助想象征服和支配自然界,把自然的力量加以形象化的一种文学形式。神话就是人类通过幻想,在一种集体无意识的思维操纵下而形成的反映现实生活的口头文学,英雄神话属于神话的一个分类,是数量较多的一类神话。这类神话产生比创世神话和神yG神话稍晚,表达了人类反抗自然的愿望,同时,也可说是人类某种劳动经验的概括总结。因此,先秦时代的英雄神话也就不可避免的被打上自然的形态和属性,渗透出自然崇拜的迹象。审美视域下的先秦英雄神话的研究主要是通过与先秦英雄神话相关的先秦文献史料、诗文经传、绘画雕塑等考古文物这些物化产品来进行发掘研究,同时这些资料也是笔者总结先秦英雄神话中审美内涵与文化内涵、研究先秦审美意识的重要资料。论文分为三部分:第一部分考察先秦英雄神话展现的原始思维、宗教文化背景。神话思维即早期人类思维,先秦英雄神话思维具有同一性、因果性、象征性、类比性、感性逻辑等特征。神话思维不同于宗教观,神话始于原始宗教,原始先民宗教观念的形成,是原始社会低级阶段劳动和生产实践发展到一定水平的产物,具有一定的自然性。第二部分通过分析各种文史典籍来探讨先秦英雄神话的审美流变。先秦时代从原始社会贯穿到文明社会,神话从盘古开天辟地(创世神话)到秦始皇横征暴敛(斗争神话),零星片段地记录在先秦和汉以后的古书里,并不成系统。通过分析《山海经》、《楚辞》、《淮南记》等文献资料,探讨先秦英雄神话体现的审美文化内涵、神话中英雄形象与自然关系艺术化的表达、先秦英雄神话所蕴含的审美特征等内容,可见原始先民的审美意识。第三部分主要研究先秦英雄神话的审美价值。神话流传千年,后世不断从神话中汲取民族精神和美学思想。其后引发的血统、家庭、社会、伦理观念更深深地融入了中华民族的文化,不但影响着传统政治观念和宗法制度,也影响着后世伦理美学思想的发展。从最初的儒道两家到当代的英雄神话,先秦英雄神话的美学价值不可估量。先秦英雄神话中的英雄形象,反映了原始社会中先民最初的思维类型和宗教意识。在艰苦卓绝的环境中,英雄就是美与希望的最佳诠释。研究先秦英雄神话,对中国古代审美文化史研究特别是中国古代人民审美观研究都会有所裨益。
[Abstract]:The level of productivity and intelligence of the forefathers in the early stage of mythology was relatively low, and it was human beings who conquered and dominated the nature with the help of imagination. A literary form in which the forces of nature are visualized. Myth is a kind of oral literature formed by human beings under the control of a collective unconscious thinking. Heroic mythology belongs to a classification of mythology, is a large number of mythology. This kind of myth is later than the creation myth and the mythology of God YG, expressed the desire of mankind to resist nature, at the same time. It can also be said to be a summary of human labor experience. Therefore, the hero myth of the pre-Qin period will inevitably be hit on the natural form and attributes. Permeate the signs of natural worship. The study of pre-Qin hero mythology under the aesthetic perspective is mainly through the historical materials of the pre-Qin literature related to the pre-Qin hero mythology, poetry and prose biography. Painting, sculpture and other archaeological relics such as these materialized products to explore and study, at the same time, these materials are the author summed up the pre-Qin hero mythology aesthetic connotation and cultural connotation. The paper is divided into three parts: the first part is to investigate the primitive thinking and religious cultural background of the mythology of the heroes in the pre-Qin period. The mythical thinking is the early human thinking. The mythical thinking of heroes in the pre-Qin period has the characteristics of identity, causality, symbolism, analogy and perceptual logic. The mythical thinking is different from the religious view, and the mythology begins with the primitive religion and the formation of the religious concept of the primitive people. It is the result of the development of labor and production practice in the lower stage of primitive society to a certain level. The second part through the analysis of various literary and historical books to explore the pre-Qin hero mythology aesthetic evolution. Pre-Qin period from the primitive society through the civilized society. Myth from Pangu groundbreaking (creation mythology) to Qin Shihuang horizontal levy (struggle myth, scattered fragments recorded in the ancient books after the Qin and Han dynasties, not systematic. Through the analysis of "Shanhai Jing", "Chu ci"). This paper discusses the aesthetic cultural connotation embodied in the mythology of the pre-Qin heroes, the artistic expression of the relationship between the hero image and the nature in the mythology, and the aesthetic characteristics contained in the mythology of the heroes of the pre-Qin period. It can be seen that the aesthetic consciousness of the primitive ancestors. The third part mainly studies the aesthetic value of the hero mythology of the Pre-Qin Dynasty. Myth spread for thousands of years, and later generations continue to absorb the national spirit and aesthetic thought from the myth. The social and ethical concepts deeply integrated into the culture of the Chinese nation, not only affected the traditional political concept and patriarchal system. From the initial Confucian and Taoist schools to the contemporary hero myth, the aesthetic value of the pre-Qin hero myth is inestimable. The hero image in the pre-Qin hero myth. It reflects the original thinking type and religious consciousness of the ancestors in the primitive society. In the arduous environment, the hero is the best interpretation of beauty and hope. It will benefit the study of Chinese ancient aesthetic culture history, especially the ancient Chinese people's aesthetics.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：B83-092

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