佛教美学研究琐议

发布时间：2018-01-07 03:18

本文关键词：佛教美学研究琐议　出处：《西南民族大学学报(人文社科版)》2008年01期 　论文类型：期刊论文

【摘要】：在中国近代美学思想史上,太虚是第一个、也是唯一的一个直接就佛教美学问题发表意见的高僧,他在实际上做了中国佛教美学学科建设的开创性工作。之后,在很长一段时期内,却无人专门就佛教美学的学科建设问题发表意见。上个世纪80年代末,一些学者重新开始思考有关佛教美学问题。在中国佛教美学研究中,最为活跃、成果突出的是禅宗美学研究,对中国佛教的其他宗派如天台、华严、净土等等的美学思想的研究,则尚未起步。而居士佛教美学在中国佛教美学中占有十分重要的地位,至今还是一块未曾开拓的处女地。总的说来,作为中国佛教美学的学科建设,目前尚处于草创阶段,需要有志于此的学人来做这项工作。中国佛教美学是中国古典美学的重要组成部分,深入研究中国佛教美学的性质、特征、思想体系等,有助于进一步理解和把握中国古典美学的独特品格。
[Abstract]:In the history of modern Chinese aesthetic thought, Taixu was the first and only monk who expressed his opinions on Buddhist aesthetics directly. In fact, he did the pioneering work on the subject construction of Chinese Buddhist aesthetics. For a long time, however, no one specifically commented on the subject construction of Buddhist aesthetics. At the end of -20s. Some scholars began to think about Buddhist aesthetics again. In the study of Chinese Buddhist aesthetics, the most active, outstanding results are the study of Zen aesthetics, other Chinese Buddhist sects such as Tiantai, Hua Yan. The study of the aesthetic thought of the pure land has not yet started, and the Buddhist aesthetics of Jushi occupies a very important position in the Chinese Buddhist aesthetics, and it is still a virgin land which has not been developed up to now. As the subject construction of Chinese Buddhist aesthetics, it is still in the initial stage, and it needs scholars who are willing to do this work. Chinese Buddhist aesthetics is an important part of Chinese classical aesthetics. Further study on the nature, characteristics and ideological system of Chinese Buddhist aesthetics is helpful to further understand and grasp the unique character of Chinese classical aesthetics.
【作者单位】：
【分类号】：B83-09;B949.2
【正文快照】： 中国佛教美学,是中国古典美学的重要组成部分,深入研究中国佛教美学的性质、特征、思想体系等,有助于进一步理解和把握中国古典美学的独特品格。然而,在中国古典美学研究中,佛教美学研究,至今仍是一个十分薄弱的环节。一让我们回溯一下中国佛教美学研究的历史与现状。在中国

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