东方审美至境——“通感”再阐释

发布时间：2018-01-13 13:28

本文关键词：东方审美至境——“通感”再阐释　出处：《江海学刊》1998年05期 　论文类型：期刊论文

【摘要】：“通感”是东方审美文化中非常重要的理论范畴，从完整的意蕴上说，它不仅是一个独特的美学概念，而且是东方美学意境的主要立足点和理念归宿。“通感”作为审美实践，在古代中华文化中有十分丰厚的经验积累，但对其进行系统的理论阐释却不多见。一般观念中认为“通感”主要是感官挪移、假借型的修辞方式是不妥当的，“通感”范畴诚然在知觉表层有时会表现为感官功能的错位效应，但那只是追求混融一体的直觉经验的副产品。在东方哲学境界里，对直透本心的全息经验往往视为最佳心象体验，而将明晰的语言符号表述置于不得已而求其次的位置上，因为“言不尽意”的困境确实是存在的。为了突破这一遗憾，先哲们创造了“通感”的表现形态，利用语言符号作为踏板来指代超越符号所指的混成审美体悟，如佛学的“九识论”、道家的“得意忘言论”、禅宗高僧们大量独步象外的诗偈与语录，这一切，岂是视听挪移的传统“通感”观念所能包容的！进入“以心观物”全息境界后的“真意”揭示是打成一片的内省经验，堪称东方美学的理论精髓。所以“通感”的中心应是全息化的整体经验，局部的修辞方式只是相当次要的表现。人类对于圆融心象流的解读和传播努力是人生格局的重要提升，，这不仅由古代先哲们的不懈追求可以证明，
[Abstract]:Synaesthesia is a very important theoretical category in oriental aesthetic culture. It is not only a unique aesthetic concept, but also a unique aesthetic concept in terms of its complete meaning. As an aesthetic practice, synaesthesia has rich experience in ancient Chinese culture. However, the systematic theoretical explanation is rare. In general, it is considered that "synaesthesia" is mainly sensory shift, and the rhetoric of false loan is not appropriate. It is true that the category of "synaesthesia" in the surface of perception is sometimes manifested as the translocation effect of sensory function, but it is only a by-product of the intuitive experience of the pursuit of a mixture, and it is in the realm of Eastern philosophy. Holographic experience through the heart is often regarded as the best mental vision experience, and the clear language symbol expression is placed in the second place. In order to break through this regret, the sages created the expression form of "synesthesia", and used the language symbol as the pedal to refer to the mixed aesthetic understanding of transcending the symbol. For example, the "Nine knowledge Theory" of Buddhism, the Taoist "triumphant theory of forgetting words", and a large number of poems and quotations of Zen monks who have gone out of their own way, all of which can be tolerated by the traditional "synesthesia" concept of audio-visual movement!... After entering the holographic realm of "viewing things with the mind", the "true meaning" revealed is the internal introspection experience of forming a whole, which can be regarded as the theoretical quintessence of eastern aesthetics, so the center of "synaesthesia" should be the holographic whole experience. Partial rhetoric is only a rather minor expression. Human efforts to interpret and spread the mellowed mind flow are an important improvement in the pattern of life, as evidenced not only by the unremitting pursuit of ancient philosophers, but also by the unremitting pursuit of the ancient philosophers.
【作者单位】：中国科技大学信息管理与决策科学系
【分类号】：B83-0
【正文快照】： 有关“通感”概念的经典解读方式“通感”的审美经验与作品在东方渊深流长，在理论上进行思考者亦为数不少，例如明代杨慎、清代吴景旭等人，但今日最经典、最流行的当推钱钟书先生的界定：“在日常经验里，视觉、听觉、触觉、嗅觉、味觉往往可以彼此打通或交通，眼、耳、舌

【相似文献】