隋唐时期侠儒佛道的此消彼长及其对隋唐审美风尚的影响

发布时间：2018-01-15 00:13

本文关键词：隋唐时期侠儒佛道的此消彼长及其对隋唐审美风尚的影响　出处：《中国文化研究》2017年03期 　论文类型：期刊论文

【摘要】：隋唐时期是中国历史上内外环境都最为宽松的时期,当时主要的社会思潮有侠、儒、佛、道四种,其间互有消长,对当时的社会审美风尚产生了重要影响。任侠精神的盛行,造成了盛唐时期以意气功业、侠肝义胆和放荡不羁为美;儒家的影响集中体现在中唐以前对"风骨"的普遍提倡和运用,唐人诗歌理论上的"兴寄"说、散文理论上的"明道"说、五彩缤纷的人工美以及新乐府运动,都体现着儒家的务实精神;道家对自然之美的推崇,使"清水出芙蓉,天然去雕饰"和追求真态真情之美成为盛唐诗人的审美风尚;中唐时期以幽寒瘦硬为美,以疏朗淡雅为美,这与道家思潮的影响以及禅宗的崛起不无关系;禅宗思想的影响所及,则体现在晚唐时期的以意境韵味为美和以含蓄蕴藉为美。像以禅喻诗,追求禅境禅趣,追求"不着一字,尽得风流"等,都分明显现着禅学的痕迹。
[Abstract]:Sui and Tang dynasties are the most relaxed period in Chinese history, the main social trends of thought at that time are chivalry, Confucianism, Buddhism, Taoism, and there are mutual growth and decline. It had an important influence on the social aesthetic style at that time. The prevailing spirit of Ren Xia resulted in the beauty of the meritorious spirit, chivalrous courage and bohemian spirit in the prosperous Tang Dynasty. The influence of Confucianism is mainly reflected in the universal promotion and application of "Feng Gu" before the middle Tang Dynasty, the theory of "Xingzhi" in Tang poetry, the theory of "Ming Dao" in prose theory, the colorful artificial beauty and the movement of New Yuefu. Both embody the pragmatic spirit of Confucianism; The Taoism's praise of the beauty of nature makes it the aesthetic fashion of poets in the prosperous Tang Dynasty that "pure water comes out of hibiscus and natural carving" and the pursuit of the beauty of true state of truth. In the middle Tang Dynasty, the beauty was cold and thin and hard, and the beauty was thinly and elegant, which had something to do with the influence of Taoism and the rise of Zen. The influence of Zen thought is reflected in the beauty of artistic conception and implicit implication in late Tang Dynasty. Are clearly showing the traces of Zen.
【作者单位】：北京语言大学;
【分类号】：B83-092
【正文快照】： 在中国历史上,隋唐时期是一个外部环境和内部环境都最为宽松的时期。其文化政策兼容并包,南北融汇,东西贯通。如果说战国是一个百家争鸣的时代,那么隋唐就是一个百花齐放的时代。与南北文化融汇和东西文化贯通相应的是,隋唐时期在内部意识形态方面始终保持着混合兼容的状态。

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