陈伯海“生命体验论美学”的独特创构

发布时间：2018-01-17 23:15

  本文关键词：陈伯海“生命体验论美学”的独特创构　出处：《社会科学》2017年05期 　论文类型：期刊论文

  更多相关文章： 陈伯海 生命 体验 超越 审美

【摘要】：在新世纪中国形上美学的"重构"中,陈伯海建立的"生命体验美学"系统留下了重要标记。他以"后形而上学视野中的‘形上之思’"为自觉的方法论指导,以马克思的实践论和海德格尔的存在论为主要依据,融合中国古代"天人合一"的文化资源,取消实体论的本原论,从人的审美活动入手探讨美的生成,提出美学研究的主要对象和逻辑起点是"审美活动","审美"是人的超越性的生命体验,美是超越性的生命体验在审美活动中的"对象化"或"意象化",建构了以"生命"为本根、以"体验"为核心、以"超越"为指向的审美学体系。本文力图客观、详实、准确地评述陈伯海的"生命体验审美观",并就其中的某些表述展开对话,以期深化重构美学的形而上学研究。
[Abstract]:In the "reconstruction" of Chinese metaphysical aesthetics in the new century, the system of "life experience aesthetics" established by Chen Bohai has left an important mark. On the basis of Marx's theory of practice and Heidegger's theory of existence, this paper combines the cultural resources of ancient China's "harmony of nature and man", cancels the primitive theory of entity theory, and probes into the generation of beauty from the aesthetic activities of human beings. It is pointed out that the main object and logical starting point of aesthetic research is "aesthetic activity", "aesthetics" is the transcendent life experience of human beings, and beauty is "objectification" or "imagery" of transcendental life experience in aesthetic activities. This paper constructs an aesthetic system with "life" as its root, "experience" as its core and "transcendence" as its direction. This paper tries to make an objective, detailed and accurate comment on Chen Bohai's "aesthetic concept of life experience". In order to deepen the metaphysical study of reconstructing aesthetics, some of the expressions are discussed in order to deepen the metaphysical study of reconstructing aesthetics.
【作者单位】： 上海政法学院应用社会科学院;
【基金】：国家社科基金后期资助项目“中国现当代美学史”(项目编号:16FZW052) 上海市哲学社会科学规划课题“20世纪以来中国美学的学科转型与演进历程”(项目编号:2016BWY012)的阶段性成果 上海市“高校服务国家重大战略出版工程”项目《中国美学全史》五卷本的部分成果
【分类号】：B83-069
【正文快照】： 在中国当代学术史上,陈伯海是以研究中国古代文学尤其是唐诗学著称的。不过,“任何一种文学现象,若要从道理上阐释清楚,最终必然要追索到美学以至哲学观念上来”(1)。因此,在从事专业工作之余,陈伯海总是“挤出一定的时间来攻读理论书籍,哲学和美学自是其中的重点”(2)。2005，

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