西周礼仪美学的物体系

发布时间：2018-01-30 05:41

本文关键词： 西周礼仪美学物体系　出处：《文艺研究》2013年01期 　论文类型：期刊论文

【摘要】：中国社会对器物审美、伦理意义的引申,始于新石器时期,但直至西周才形成被自觉的政治伦理意识建构的完备系统。这种由礼器连缀而成的表意体系,以人体为中心,向服装、佩饰、器具、建筑、国家乃至天下逐步蔓延,最终形成"大礼与天地同节"式的宏大空间秩序。于此,人居世界,也从物理世界转进为被观念重构的人工—意义世界。从美学角度讲,西周礼器既是伦理观念的物态形式,也是对其精神意义的审美呈现,具有礼仪美术的性质。由此构成的表意体系代替文字成为对礼仪美学思想的直接讲述,可称为"礼仪美学的物体系"。中国美学思想史研究,也可借助这种表意体系与传世文献的互证,将它的历史上限提前。
[Abstract]:The extension of the aesthetic and ethical meanings of implements in Chinese society began in the Neolithic period, but it was not until the Western Zhou Dynasty that a complete system of conscious political ethical consciousness was formed. Human body as the center, to clothing, ornaments, appliances, architecture, the country and even the world gradually spread, eventually forming a "big ceremony and heaven and earth with the same festival" type of grand spatial order. Here, people live in the world. From the point of view of aesthetics, the ritual ware of the Western Zhou Dynasty is not only the material form of ethics, but also the aesthetic presentation of its spiritual significance. It has the nature of ceremonial art. Instead of writing, the ideographic system can be called "the object system of etiquette aesthetics", which can be called "the object system of etiquette aesthetics". The historical upper limit can also be advanced by the mutual proof of the ideographic system and the documents handed down.
【作者单位】：北京师范大学价值与文化研究中心;
【基金】：2010年度中央高校基本科研业务费专项资金资助项目“中国美学与农耕文明”阶段性成果
【分类号】：B83-092
【正文快照】： 西周是中国礼乐文明的奠基期,也是诗、礼、乐开始对中国社会形成全面影响的时期。就目前学界对于周代礼乐的研究状况看,“乐”由于直接对应于诗、乐、舞等艺术形式,所以它作为美学研究对象几乎是毋庸置疑的。与此比较,礼的问题相对复杂。它牵扯到政治制度(礼制)、人的行为举止

【共引文献】