论晚明审美观念中的文人情怀

发布时间：2018-01-31 01:09

本文关键词： 文人情怀审美观念时代特性晚明　出处：《北方论丛》2015年01期 　论文类型：期刊论文

【摘要】：在晚明政治腐朽、经济繁荣、思想解放的特定语境下,晚明文人的审美观念发生重大变异,其审美情感始终逡行于雅与俗之间,大众审美趣味渐成主流,社会审美转向感官享乐,文人们在关注当下社会和世俗生活的同时,亦保留了文人所特有高雅情致和趣味。特定时代语境下文人的审美情怀可概括为富有时代色彩的隐逸超脱之情,彰显时代特色的闲适逸趣之情,标举君子情怀的风雅高洁之情,饱含时代审美趣味的世俗之情等四个方面。与前代相比,晚明文人情怀呈现出世俗化、娱乐化和人性化的特点,而这些特点让晚明文人情怀更具时代性、现实性和现代性,闪耀着人文主义启蒙思想的光辉。
[Abstract]:In the special context of political decay, economic prosperity and ideological emancipation in the late Ming Dynasty, the aesthetic ideas of the literati in the late Ming Dynasty changed greatly, their aesthetic feelings were always between elegance and vulgarity, and the popular aesthetic taste gradually became the mainstream. The social aesthetic has turned to sensual enjoyment, and the literati are paying attention to the current social and secular life at the same time. The aesthetic feelings of the literati can be summed up as the seclusion of the times and the leisure interest of the characteristics of the times. Compared with the previous generation, the feelings of the literati in the late Ming Dynasty showed the characteristics of secularization, entertainment and humanization. These characteristics make the feelings of literati in the late Ming Dynasty more contemporary, realistic and modern, and shine with the brilliance of humanism enlightenment thought.
【作者单位】：安徽财经大学文学与艺术传媒学院;
【基金】：国家社科基金项目“脉望馆钞校本古今杂剧整理与研究”(13BZW085) 教育部基金项目“一般艺术学视角下的清代艺术批评史研究”(13YJC760030)
【分类号】：B83-092
【正文快照】： 中国古代文人因其对文化上的特殊占有,故而在心理、风度和趣味上往往自觉或不自觉地追求异于他人,生活方式和生活情趣与其他社会阶层有着明显的差别。钱穆先生指出:“文人之文之特征,在其无意于施用。其至者,则仅以个人自我作为中心,以日常生活为题材,抒泄心灵,歌唱情感,不复

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