鲍德里亚“超美学”思想研究

发布时间：2018-02-11 22:58

本文关键词： 超美学符号消费社会模拟价值碎片化阶段　出处：《黑龙江大学》2008年硕士论文　论文类型：学位论文

【摘要】： “超美学”是鲍德里亚对当下美学存在境况的描述与称谓,同时,从这种观念、立场看待美学,包括艺术与审美,也形成了他本人独特的“超美学”的美学思想。虽然“超美学”是鲍德里亚后期才提出的一个词,但“超美学”思想的逻辑进程是从鲍德里亚早期对美学的思考就开始了的。随着他对符号消费社会到模拟时代的考察,美学与艺术,也一步步从在日常生活中的符号化扩张、渗透,到其界限发生崩溃,独特品质和自律性丧失与消解,最终在一种不确定与混乱的“价值的碎片化阶段”,在一种虚无的“消失的模式”中,和一切事物一样,以一种无意义又无休止的模拟、增殖与碎片化弥散的方式,走到了终结的地步。鲍德里亚的“超美学”思想从西方后现代社会背景出发,抓住了消费文化不断扩张、高科技尤其是大众传媒迅猛发展等特点,对当下社会文化转型和美学发展、变迁的现状有很强的阐释性,带给我们以启发与警示。但其思想并非一种建设性的理论话语,也有其局限与偏颇之处,这就需要我们辩证地分析、批判地看待其“超美学”思想,以期在对其理论的梳理、阐释以及批判性的分析、反思中,为进一步丰富现有美学理论话语和思考现存社会文化、美学问题提供有益参考。
[Abstract]:"Super Aesthetics" is Baudrillard's description and appellation of the present aesthetic existence. At the same time, viewing aesthetics from this viewpoint and standpoint, including art and aesthetics, forms his own unique aesthetic thought of "Trans-Aesthetics". Although "super aesthetics" is a word proposed by Baudrillard in the later period, the logical process of the thought of "super aesthetics" begins from Baudrillard's early thinking on aesthetics. Aesthetics and art also step by step from symbolic expansion and infiltration in daily life to the collapse of its boundaries, the loss and deconstruction of its unique qualities and self-discipline. Eventually, in a "fragmented phase of value" of uncertainty and confusion, in a "vanishing pattern" of nothingness, in a meaningless and endless way of simulating, multiplying and fragmenting, like everything else, At the end of the day. From the background of western post-modern society, Baudrillard's "super aesthetics" thought grasped the characteristics of the constant expansion of consumer culture and the rapid development of high technology, especially the mass media. The present situation of change is very explanatory, which brings us inspiration and warning. However, its thought is not a constructive theoretical discourse, but also has its limitations and biases, which requires us to analyze dialectically. In the course of combing, interpreting and critical analysis of his theory, this paper provides a useful reference for further enriching the discourse of the existing aesthetic theory and thinking about the existing social culture and aesthetic problems.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：B83

【引证文献】