评析本雅明《拱廊计划》的文化美学——以寓言论批评为视角

发布时间：2018-02-23 19:20

本文关键词： 本雅明文化美学《拱廊计划》寓言　出处：《知与行》2016年09期 　论文类型：期刊论文

【摘要】：凝聚着西方马克思主义理论家本雅明"全部斗争和全部思想"的《拱廊计划》对19世纪的巴黎作了史前史的考察。延续马克思商品拜物教和物化的逻辑,通过对拱廊街在内的形形色色城市景观的审视,本雅明运用批判理论揭示发达资本主义社会的内在矛盾。从使用本雅明早期作品中的寓言这一概念去解读《拱廊计划》里呈现出本雅明独特的大众文化美学,而《拱廊计划》正是本雅明运用寓言论批评所进行的一次极为重要的典范之作。寓言在本雅明那里不仅是修辞的概念,更是一个美学的概念,它勾连起中世纪巴洛克与19世纪的巴黎,连接了历史与现实。通过寓言,本雅明一方面看到了资本主义社会里的种种幻象是如何生产一种"伪经验"去操控大众,从而使大众失去了反抗的能力;另一方面也看到了城市景观中能够抵抗意识形态整合作用的革命性力量。在本雅明的笔下,巴黎城里的边缘人,即游荡者、拾垃圾者、波西米亚人、小偷、妓女等人成了资本主义社会里潜在的颠覆者,他们的存在乃是资本主义社会不稳定的根源。
[Abstract]:Together with the western Marx doctrine theorist Walter Benjamin "all struggle and all thought" < > Arcade project reviews the prehistory of Paris in nineteenth Century. The continuation of Marx commodity fetishism and materialized logic, by examining the city landscape, the arcade of every hue of the inner contradictions of Walter Benjamin using critical theory reveals the developed capitalist society. From the concept of the use of allegory in Walter Benjamin's early works to interpret < > appears in the arcade project of Shimoto Masaki's unique aesthetics of popular culture, while the arcade project is Walter Benjamin > < use of allegory theory criticism as a very important model. The fable in Walter Benjamin there is not only the concept of rhetoric, it is a concept of aesthetics, which links the Paris medieval Baroque and nineteenth Century, connection of history and reality. Through the fable, Walter Benjamin hand saw the Lord In social visions is how to produce a "pseudo experience" to control the masses, so that the public lost the ability to resist; on the other hand also saw the revolutionary power of city landscape can resist the integration of ideology role. Under Walter Benjamin's pen, Paris city edge, is a rogue, pick up the rubbish, Bohemia, thieves, prostitutes who became potentially subversive in capitalist society, their existence is the root of capitalism social instability.

【作者单位】：天津师范大学文学院;
【分类号】：B83-0

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