“审美”的历程与“审美”的重建

发布时间：2018-02-24 14:10

  本文关键词： 审美 形而上学 自由愉悦　出处：《学术月刊》2016年01期 　论文类型：期刊论文

【摘要】：梳理过去二百年关于"审美"是什么的理论史,可以说明"审美"不是一种原始的或自然的能力,而是一种源自理性的"要求",一种对"观看世界"的方式的要求。这种要求具有形而上学的性质。20世纪的"审美"在现实中走向沉沦,在理论上陷入绝境,就是因为放弃了审美的形而上学维度,审美完全被浅表化了,它和感官的诸种应激性反应杂糅在一起,审美的反思性没有被强调,但非理性的感受性、知觉、体验、诸种非理性能力在审美中的作用被强化了。人类建构"审美"的初衷——"反思判断""自由愉悦"与"自我完善"被遗忘了。我们需要什么样的审美?本文的回答是:通过"自由理性"与"自由感性"而获得的"自由愉悦"。
[Abstract]:Combing through the theoretical history of what "aesthetics" is in the past two hundred years, we can see that "aesthetics" is not a primitive or natural ability. It's a request from reason, a request for a way to see the world. It's metaphysical. "Aesthetic" of the 20th century goes down in reality and falls into despair in theory. It is because the metaphysical dimension of aesthetics has been abandoned, the aesthetic has been completely superficial, it is mixed with all kinds of stress reactions of the senses, the reflection of aesthetics has not been emphasized, but the irrational sensibility, perception, experience, The function of various kinds of irrational abilities in aesthetics has been strengthened. The original intention of human being to construct "aesthetics"-"introspection, judgment", "freedom and pleasure" and "self-perfection" has been forgotten. What kind of aesthetics do we need? The answer of this paper is: freedom and pleasure obtained through "free reason" and "free sensibility".
【作者单位】： 上海师范大学世界文学与比较文学研究中心;
【基金】：国家哲学社会科学项目“当代西方美学中的艺术真理性问题研究”(12CZW009)的阶段性成果 上海市教委高峰学科建设计划“中国语言文学”资助
【分类号】：B83-0
，

本文编号：1530523