精神建构的彷徨与出路——兼与王建疆先生商榷

发布时间：2018-02-25 17:42

本文关键词： 主义美学症候话语分析精神建构百年中国美学批判　出处：《探索与争鸣》2012年04期 　论文类型：期刊论文

【摘要】：美学从其建立之初,就一直立足于阐释和张扬人的自由维度。遗憾的是近20年当代中国美学话语却存在着空疏的不及物倾向。它不但日益远离了美学的本真,而且与人的真实存在和精神状态相背离;它无视乃至在某种程度上遮蔽了当代国人精神的真实状态和生存现状,而且又以摆脱启蒙美学(实践美学)为能事,其结果就是"主义的喧嚣与缺失"。但是,所谓"主义的缺失"还只是一个表层问题。问题的实质在于美学家们构建美学时的彷徨、畏葸、甚至不着边际,在瞻前顾后中他们既丧失了美学所具有的应然状态在于探究审美和艺术的非功利性,同时也丧失了美学所探究的形式的无功利性与其效用的功利性之间的张力。这双重的丧失必然导致当代中国美学向着两个方向发展:其一是庸俗的审美泛化、犬儒化;其二是审美或艺术形式的纯技巧化。而美学应该着重于对感性之维的现实观照与把握,而非脱离现实和审美—艺术等感性领域进行所谓"主义"的闭门造车。
[Abstract]:From the beginning of its establishment, aesthetics has always been based on the dimension of interpretation and publicity of human freedom. Unfortunately, in the past 20 years, the discourse of contemporary Chinese aesthetics has an intransitive tendency, which is not only away from the true nature of aesthetics, but also increasingly far away from the essence of aesthetics. Moreover, it deviates from the real existence and spiritual state of human beings; it ignores and, to some extent, obscures the true state and survival status of the spirit of contemporary Chinese people, and takes it as its ability to get rid of the enlightenment aesthetics (practical aesthetics). The result is "the noise and absence of doctrine". However, the so-called "absence of doctrine" is only a superficial problem. The essence of the problem lies in the hesitancy, flinchedness, and even insignificance of aestheticians in the construction of aesthetics. In the midst of too many concerns, they have lost the natural state of aesthetics that lies in exploring the non-utilitarian nature of aesthetics and art, At the same time, it also loses the tension between the non-utilitarianism and utility of the form explored by aesthetics, which inevitably leads to the development of contemporary Chinese aesthetics in two directions: first, vulgar aesthetic generalization and cynicism; The second is the pure artistry of aesthetic or artistic form, and aesthetics should focus on the realistic reflection and grasp of perceptual dimension, not on the so-called "doctrine" from the perceptual fields such as reality and aesthetic-art.
【作者单位】：浙江师范大学人文学院;
【基金】：作者主持的教育部人文社会科学研究规划项目(09YJA751080)的阶段性成果
【分类号】：B83

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