当前位置:主页 > 文艺论文 > 美学论文 >

海德格尔与美学

发布时间:2018-02-28 17:23

  本文关键词: 海德格尔 艺术 美 美学 出处:《复旦大学》2003年博士论文 论文类型:学位论文


【摘要】: 本文在《海德格尔与美学》这个题目下进行了一场逼问式的研究,这个研究围绕着这样一个中心展开:“存在之思”中的艺术与美。这个研究试图弄明白:海德格尔关于美、艺术、诗、美学史等问题的看法对于西方美学产生了何种样的影响,解决了什么样的问题,他的新的思想方法为美学的发展提供了什么样的启示;反过来,美学又帮助海德格尔完成了什么的任务?对艺术与美学的问题的思考在海德格尔的全部思想中起到了什么的作用?同时,海德格尔作为一位深受中国思想影响的西方思想家,他的思想对于中国美学又有什么样的意义? 这样一种研究要求我们对海德格尔的总体思想和他对艺术与美的思考做细致地分析和严谨地推论:分析意味着——我们要把他的美与艺术之思以及这样一种思考的结论还原到他的思想整体中去,从而为他的结论,特别是关于美、艺术以及诗的一些结论式的论述找到根据,然后以这些根据为出发点反观这些结论的实质和意义;推论意味着,我们要把这些论述和新的思考还原到美学史去,还原到美学的问题史中去,在一些具体的美学问题上,通过和一些美学史上的重要命题作比较,通过相互印证,从而推导出海德格尔的这些论述对美学史的意义和对于美学自身发展的意义。 研究的真正困难不在于得出一个什么样的结论,而在于得出结论的过程。我们的目的,是把我们所理解的海德格尔摆出来,让他现身在场,迫使他与美学进行一场对话。同时,我们也对海德格尔进行了一场逼索,对一些海德格尔有所涉及却又不甚明晰的看法做出一个更加深入的阐发,说出他可能会说但却没有说的话来。这就要求我们一方面必须对海德格尔的思想有一个总体上的把握,一方面也要进行创造性的阐释。我们的题目不允许我们把注意力完全集中到海德格尔关于艺术、美、诗等的言论中,不允许我们满足于对其艺术之思的梳理,也不允许我们完全把海德格尔纳入西方美学史中,因此我们不得不以多条线,以复调的形式展开我们的研究。一方面,,我们需要阐释和分析海德格尔关于艺术、美学、诗等的思想,把这些思想与他的整体思想结合与来,去关注他思考这些问题的基本出发点,而不是停留在表面意义上;另一方面我们必须不断地把这些思想与欧洲的美学传统结合起来看,我们必须弄清这些思想究竟解决了或者提出了哪些美学问题,对于美学的发展具有什么样的意义。因此,我们的研究就是沿着概述、分析、质疑、还原、比较、申发这 WP=6 样一条道路对海德格尔的每一个有关于美和艺术的命题做出积极的理解,并以一种积极的态度将其最富创造性的思想方法引入美学中来。 由于海德格尔思想的宽广与深邃,我们的研究被相应拓展开了,结合海德格尔的具体论述,我们研究涉及到了美学的性质,美学的思想方法,研究了关于美、美学、美学史、艺术、诗等等基本的美学问题。另外我们还研究了艺术之思在海德格尔总体思想中的地位与意义,研究了海德格尔思想对中国美学的意义,这是一个在更加深入和更加宏大的视野中对海德格尔思想对于美学的意义所做的开放式的研究。
[Abstract]:In this paper the title of Heidegger < > and aesthetics for a push type research, this study centers around this center: "thinking" in art and beauty. This study attempts to understand Heidegger about beauty, art, poetry, aesthetics history views influence what for the kind of western aesthetics, solves the problem of what his new method provides what kind of enlightenment for the development of aesthetics and aesthetics; in turn, help Heidegger completed what task? Thinking of art and aesthetic problems played what role in all at the same time, Heidegger's thought of? Heidegger as a western thinker by China thought influence, his thought has what meaning for China aesthetics?
Such a study requires us to the overall thought of Heidegger and his thoughts of art and beauty do detailed analysis and rigorous reasoning: analysis of means - we should put his beauty and art thinking and the conclusion of this kind of thinking to restore his thoughts to the whole, so as to his conclusion, especially on the United States, discusses some conclusion and the art of poetry to find, and then taking these according to the essence and significance as the starting point in these conclusions; inference means that we need to discuss these and new thinking to restore aesthetic history to restore to the problem in the history of aesthetics to aesthetics in some specific issues through some important propositions, and the history of aesthetics by comparing with each other, to derive the Heidegger that discuss the history of aesthetics and aesthetic significance for their own development.
The real difficulty is not that of what kind of a conclusion, which is the conclusion of the process. Our purpose is to our understanding of Heidegger put out, let him out there, forcing him to engage in a dialogue with aesthetics. At the same time, we also carried out a field of Heidegger force of cable Heidegger has been involved in some but not very clear view to make a more in-depth analysis, say he might say, but no words. This requires that we must hand on Heidegger's thoughts have a grasp on the whole hand to creative interpretation of our problem is. Allow us to concentrate to Heidegger about art, beauty, poetry and other words, we are not allowed to meet in the thought of art review, also does not allow us to put Heidegger into the history of Western aesthetics, So we have to take multiple lines, to form the Polyphony of our study. On the one hand, we need to explain and analyze Heidegger about art, aesthetics, poetry thoughts, these thoughts and his whole thought combined with, he thought to pay attention to the basic starting point of these problems, rather than stay on the surface meaning on the other hand; we must keep the aesthetic tradition of these thoughts and Europe combined, we must clarify these ideas or put forward what actually solve the aesthetic problems, has what kind of significance for the development of aesthetics. Therefore, our research is along the overview, analysis, query, reduction, comparison "this
WP=6
A road is a positive understanding of every proposition that Heidegger has about beauty and art, and in a positive manner, it introduces the most creative way of thinking into aesthetics.
Because of the thought of Heidegger, our study was expanded accordingly opened, discussed with Heidegger, our research involves the aesthetic nature of the thought method of aesthetics, the research about beauty, aesthetics, aesthetics, art, aesthetics and so on the basic problems of poetry. In addition we also study the thought of art in general Heidegger thought the position and significance of research, the significance of Heidegger's Thought on China aesthetics, this is a study of the open thoughts of Heidegger has done for aesthetic significance in a more in-depth and more grand vision.

【学位授予单位】:复旦大学
【学位级别】:博士
【学位授予年份】:2003
【分类号】:B83-06

【引证文献】

相关期刊论文 前1条

1 王洪才;;现象学教育学:颠覆、回复与整合[J];比较教育研究;2007年08期



本文编号:1548267

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/meixuelunwen/1548267.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户31615***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com