《中西比较美学大纲》

发布时间：2018-03-04 12:12

本文选题：中西比较美学　切入点：人类文化精神　出处：《文艺研究》1992年06期 　论文类型：期刊论文

【摘要】：正改革开放,中国文化步入世界格局,中西文化比较是其重要的主题。在这种背景下,周来祥、陈炎合著的《中西比较美学大纲》近期由安徽文艺出版社出版,在某种意义上标志着这一研究领域也正走向深化。《中西比较美学大纲》具有下列特点: 第一、鲜明的时代意识。20世纪以来的比较文化研究有一个突出特点,就是通过比较来致力于不同民族文化间的沟通与融合,以获得人类文化精神富有意义的生长。该书在“绪论”中明确指出:“在中国与西方文化剧烈碰撞、彼此渗透的今天,进行中西美学的比较研究,不仅有助于我们了解西方的学
[Abstract]:Under this background, the outline of Comparative Aesthetics between China and the West, co-authored by Zhou Laixiang and Chen Yan, was recently published by Anhui Literature and Art Publishing House. The outline of Comparative Aesthetics between China and the West has the following characteristics: first, there is a prominent feature in the study of comparative culture since the 20th century. It is through comparison that we devote ourselves to the communication and integration of different cultures in order to achieve the meaningful growth of the human cultural spirit. In the introduction, the book clearly points out: "Today, when Chinese and Western cultures collide violently and infiltrate each other, A comparative study of Chinese and Western aesthetics is not only helpful for us to understand Western learning

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