走向“后实践美学”

发布时间：2018-03-08 09:12

本文选题：后实践美学　切入点：生存方式　出处：《学术月刊》1994年05期 　论文类型：期刊论文

【摘要】：中国当代美学已经历了两个发展阶段:前实践美学阶段(“文革”前)和实践美学阶段(新时期),现已进入后实践美学时期。实践美学是八十年代美学的主流学派。但存在着历史的局限和理论上的不足,在完成理论体系的建构后,停止了发展。进入九十年代后,涌现了一种新的美学思潮,中国当代美学进入了后实践美学时期。后实践美学具有三个基本特点:1.开放性、现代性,更多地汲取当代美学的最新成果,恢复了“五四”以来向西方美学开放的传统;2.多元化,改变了实践美学一统天下的局面,出现了各种观点、各种学说;3.对实践美学有所继承、批判、扬弃和超越。本文提出建立“超越美学”的构想,它以人的生存为美学的逻辑起点,推导出美学的范畴体系和审美的本质规定。认为审美是超越现实的自由生存方式和超越理性的解释方式,审美的本质就是超越。
[Abstract]:Chinese contemporary aesthetics has gone through two stages of development: the stage of pre-practical aesthetics (before the Cultural Revolution) and the stage of practical aesthetics (the new period), which has now entered the post-practical aesthetics period. Practical aesthetics is the mainstream school of aesthetics in 80s. But there are historical limitations and theoretical shortcomings, After completing the construction of the theoretical system, it stopped the development. In 90s, a new aesthetic trend emerged. Chinese contemporary aesthetics entered the post-practical aesthetics period. Post-practical aesthetics has three basic characteristics: 1.Openness, modernity, and so on. Drawing more from the latest achievements of contemporary aesthetics and restoring the tradition which has been open to western aesthetics since the May 4th Movement, the pluralism has changed the situation of practical aesthetics dominating the whole world, and various viewpoints and theories have emerged, and they have inherited the practical aesthetics. Criticism, sublation and transcendence. This paper puts forward the concept of "transcendental aesthetics", which takes the existence of human beings as the logical starting point of aesthetics. This paper deduces the category system of aesthetics and the essential stipulation of aesthetics, and holds that aesthetics is the free way of living beyond reality and the way of explanation of transcendence, and the essence of aesthetics is transcendence.
【作者单位】：黑龙江省社会科学院
【分类号】：B83-06

【相似文献】