论圣波纳文土拉的美学思想

发布时间：2018-03-16 15:13

  本文选题：圣波纳文土拉　切入点：经院美学　出处：《学术交流》2007年06期 　论文类型：期刊论文

【摘要】：圣波蚋文土拉将中世纪12、13世纪的神秘主义关学与经院美学统一起来,推动了西方美学向近代的发展。他继承了柏拉图主义的原型说、新柏拉图主义的流溢说和奥古斯丁主义的光照说,提出了以光释美善的思想,真正的美是见之于上帝的,即使就自然本性的美而论,心灵的美也高于肉体的美。他从审美心理的角度探讨比例的问题,继承了从毕达哥拉斯学派到圣奥古斯丁的以数为核心的神秘主义传统,艺术作品的价值存在于它与艺术家心中非物质的内在观念的相似性之中,而不是存在于与外在现实的相似性之中。圣波纳文土拉由此在经院哲学的影响下认为艺术效果的本质在于实用,同时他又强调了提供审美的满足是艺术的一项功能,虽然并不是唯一的功能,其观点具有
[Abstract]:Saint-Bornium Wentura unifies the mysticism of the Middle Ages and the School of Classics in the 13th century, and promotes the development of western aesthetics to modern times. He inherits the Platonism archetypal theory. The flowing theory of neo-platonism and the illumination theory of Augustinism put forward the idea of releasing beauty and goodness by light. The true beauty is seen by God, even in terms of the beauty of natural nature. The beauty of the soul is also higher than the beauty of the body. He explores the question of proportion from the angle of aesthetic psychology, inheriting the mystical tradition of numbers, from Pythagoras to St. Augustine, The value of a work of art lies in its resemblance to the immaterial inner idea of the artist, Saint-Bonaventura, under the influence of Confucian philosophy, considers that the essence of artistic effect lies in practicality, and at the same time he emphasizes that providing aesthetic satisfaction is a function of art. Although not the only function, its point of view is
【作者单位】： 黑龙江大学文学院
【基金】：黑龙江省教育厅人文社会科学研究项目“欧洲中世纪美学深度研究”(项目编号:10552137)
【分类号】：B83
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本文编号：1620467