大众文化的审美存在与审美现代性批判

发布时间：2018-03-20 03:19

本文选题：大众文化　切入点：审美文化　出处：《西安电子科技大学》2009年硕士论文　论文类型：学位论文

【摘要】： 改革开放30年,我们的生活今非昔比,物质生活的极大丰富代替了原来吃不饱、穿不暖的窘境。市场经济对于经济的飞速发展无疑是好的,但同时也带来了市场化的文化现象,大众文化便是在这样的历史背景中应运而生的。20世纪80年代以来,大众文化的迅速发展构成了改革开放的中国一道令人瞩目的文化景观。大众文化的出现改变了我们的生活,我们的生活不再无聊,而是充满了无限乐趣。大众文化以一种更为人能接受的方式融入了我们的生活,使我们在高度紧张的工作后,能有片刻的轻松。大众文化审美化的突出表征是日常生活审美化,许多学者因此把大众文化和审美文化等同起来,这显然是不合理的。本文详细地区分了大众文化和审美文化的不同,并发现了当前大众文化审美批判的错位,提出了建构大众文化的新思路。
[Abstract]:After 30 years of reform and opening up, our life has never been the same. The great abundance of material life has replaced the predicament of not having enough food and clothing. The market economy is undoubtedly good for the rapid economic development, but at the same time, it has also brought about a cultural phenomenon of marketization. Since 80s of the 20th century, the rapid development of popular culture has formed a remarkable cultural landscape in China in the reform and opening up. The emergence of mass culture has changed our lives, our lives are no longer boring, but full of endless fun. Popular culture has been integrated into our lives in a more acceptable way, which has made us work in a highly stressful way. Can have a moment of relaxation. The prominent symbol of popular culture aesthetic is the aesthetic of daily life, so many scholars equate popular culture with aesthetic culture. This paper makes a detailed distinction between popular culture and aesthetic culture, finds out the dislocation of aesthetic criticism of popular culture, and puts forward a new way of constructing popular culture.
【学位授予单位】：西安电子科技大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：G122

【引证文献】