审美政治化:模仿、浪漫主义和海德格尔的歧途

发布时间：2018-03-29 05:09

本文选题：审美政治化　切入点：模仿　出处：《美与时代(下)》2016年11期

【摘要】：现代悲剧向希腊古典悲剧创作还原的失败经验,在荷尔德林那里已经揭示了回归的不可能性。现在要进入政治问题域中,探讨这一美学上的"模仿"动机和操作,乃是根植于德意志文化深层结构中回归希腊的"原生性神话"。这一神话书写,试图从审美文化和艺术上回到民族精神的源头,进而从文化再生的层面实现德意志民族的现代性转化。这一转化过程大致从莱辛和温克尔曼开始,经过浪漫派的洗礼,至到20世纪30年代海德格尔与国家社会主义的纠葛为止。由此我们可以看到,在近代史上德意志民族的精神进程中,一方面呈现出审美精神的激进,另一方面却是政治观念上的极端保守,二者相互浸染,呈现为"审美化的政治"问题。这种生存论式的美学-政治论,用历史遗留的文化遗产与英雄式的决断论来实现对此在生存的挽救和重整,深刻影响了德意志民族,乃至人类世界的命运。
[Abstract]:The failed experience of the restoration of modern tragedy to classical Greek tragedy has revealed the impossibility of return in Holdrin. Now it is time to enter the field of political problems and explore the motive and operation of this aesthetic "imitation". It is the "original myth" rooted in the deep structure of German culture returning to Greece. This mythological writing attempts to return to the source of the national spirit from the aesthetic culture and art. And then to realize the modern transformation of the German nation from the level of cultural regeneration. This transformation process began with Lessing and Winkelmann, after the baptism of the Romantic school, To the end of Heidegger's entanglement with national socialism in the 1930s, we can see that in the spiritual process of the German nation in modern history, on the one hand, there is a radical aesthetic spirit. On the other hand, the political concept is extremely conservative, and the two are infused with each other and present the issue of "aesthetic politics". Using the historical heritage and heroic decision theory to save and reorganize the survival has deeply affected the fate of the German nation and even the human world.
【作者单位】：广西师范大学;
【基金】：“广西研究生教育创新项目计划”之“美学书写与当代的回应:论一种诗性正义到来的可能性”(YCSW2016006)的阶段性成果
【分类号】：B83-0

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