殊途而同归——席勒和庄子美学之比较

发布时间：2018-04-04 01:41

本文选题：席勒　切入点：庄子美学　出处：《内蒙古社会科学(文史哲版)》1993年03期

【摘要】：正席勒和庄子,一个生活在十八世纪的德国,一个是先秦时期的道家代表人物。地域相距千里,时代相隔千年,而他们的美学思想却有着惊人的相似之处,在自由这一共同主题下,他们美学的出发点、思想方法和美学思想的实质都殊途而同归。作为两个分别在中西美学史乃至哲学史上有着显赫地位与重要影响的人物,对其美学思想做一些比较性探索和研究是不无益处的。一、他们所处社会背景和思想方法的相似席勒诞生和生活在“政治和社会生活是可耻的”十八世纪的德国,与英法等国相比,此时的德国还是一个政治上四分五裂、封建主义生产关系占统治地位的经济落后国家。整个德国处于灾难深重的屈辱状态下,德意志民族在腐朽的封建专制下痛苦地呻吟,“只有在我国
[Abstract]:Zheng Schiller and Zhuangzi, a German living in the 18 th century, a Taoist representative of the pre-Qin period.The region is thousands of miles apart, the times are thousands of years apart, but their aesthetic thought has the astonishing similarity, under the common theme of freedom, their aesthetic starting point, thought method and the essence of the aesthetic thought are different from each other.As two important figures in the history of Chinese and Western aesthetics and philosophy, it is beneficial to make some comparative exploration and research on their aesthetic thoughts.First, they lived in a similar social background and thought method. Schiller was born and lived in Germany in the 18th century, where "political and social life is shameful." compared with Britain, France and other countries, Germany at that time was still politically torn apart.Feudal production relations dominated by the economic backward countries.The whole of Germany was in a state of profound humiliation, and the German nation groaned painfully under the decadent feudal autocracy, "only in our country.
【作者单位】：内蒙古大学哲学系

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